Bovie Movie

A mechanic in the British drug trade finds himself caught in the middle of some dangerous circumstances in this crime thriller. XXXX (Daniel Craig) is a nameless go-between in the British mob who buys drugs from underground wholesalers and them sells them to street dealers, keeping the system flowing and making a tidy profit in the process. XXXX is looking forward to getting out of the game, and has displayed both smarts and caution in how he’s handled his business, but before his overseer Jimmy Price (Kenneth Cranham) will let him go, he has a couple of favors that need to be done. First, Eddie Temple (Michael Gambon) is a mob boss whose daughter has gotten hooked on hard drugs and run away from home; Jimmy needs XXXX to find them girl and bring her to him before Eddie’s men can get hold of her. Second, Dragan (Dragan Micanovic) is a Ecstasy wholesaler who has had a large shipment stolen by Duke (Jamie Foreman); Jimmy wants XXXX to get the Ecstasy back to Dragan, but Duke isn’t eager to sell and Dragan is becoming impatient. Between these two matters, XXXX isn’t so sure he’ll get out of the business alive, especially after he finds himself falling for Duke’s nephew’s girlfriend, Tammy (Sienna Miller). Layer Cake marked the directorial debut for Matthew Vaughn, best known as a producer for Guy Ritchie’s lad-centric crime movies.

Despite the use in this film of voices dubbed by greats of English theater, the casting of long-haired cats to play the roles of Romeo and Juliet seems somewhat perverse. Nonetheless, the lines are well read, and the movie contains some fine original musical compositions. Among the voices: Maggie Smith, Ben Kingsley, Vanessa Redgrave, and John Hurt.

Quentin Tarantino’s sprawling homage to action films of both the East and the West reaches its conclusion in this continuation of 2003’s ultra-violent Kill Bill Vol. 1. Having dispatched several of her arch-enemies in the first film, The Bride (Uma Thurman) continues in Kill Bill Vol. 2 on her deadly pursuit of her former partners in the Deadly Viper Assassination Squad, who, in a furious assault, attempted to murder her and her unborn child on her wedding day. As The Bride faces off against allies-turned-nemeses Budd (Michael Madsen) and Elle Driver (Daryl Hannah), she flashes back to the day of her deadly wedding, and we learn of how she was recruited to join the DiVAS, her training under unforgiving martial arts master Pai Mei (Liu Chia-hui), and her relationship with Squad leader Bill (David Carradine), which changed from love to violent hatred. Originally planned as a single film, Kill Bill grew into an epic-scale two-part project totaling more than four hours in length; as with the first film, Kill Bill Vol. 2 includes appearances by genre-film icons Sonny Chiba, Michael Parks, Larry Bishop, and Sid Haig; Wu-Tang Clan producer and turntablist RZA and filmmaker and composer Robert Rodriguez both contributed to the musical score.

David Mamet writes and directs the political thriller Spartan. Respected Secret Service agent Robert Scott (Val Kilmer) is assigned to the kidnapping case of Laura Newton (Kristen Bell), the missing daughter of a high-ranking political figure. Scott is teamed up with rookie Curtis (Derek Luke). Aided by the FBI and the CIA, the team discovers a human trafficking operation that may lead to Laura’s kidnappers. Meanwhile, political operative Stoddard (William H. Macy) refuses to cooperate with the rescue mission. Scott and Curtis are forced to quit the investigation when the media reports Laura’s death. Believing her to be alive, Curtis is motivated to start up a dangerous unofficial investigation of his own. Spartan premiered at the Bangkok International Film Festival in 2004.

Outrageously violent, time-twisting, and in love with language, Pulp Fiction was widely considered the most influential American movie of the 1990s. Director and co-screenwriter Quentin Tarantino synthesized such seemingly disparate traditions as the syncopated language of David Mamet; the serious violence of American gangster movies, crime movies, and films noirs mixed up with the wacky violence of cartoons, video games, and Japanese animation; and the fragmented story-telling structures of such experimental classics as Citizen Kane, Rashomon, and La jet?e. The Oscar-winning script by Tarantino and Roger Avary intertwines three stories, featuring Samuel L. Jackson and John Travolta, in the role that single-handedly reignited his career, as hit men who have philosophical interchanges on such topics as the French names for American fast food products; Bruce Willis as a boxer out of a 1940s B-movie; and such other stalwarts as Harvey Keitel, Tim Roth, Christopher Walken, Eric Stoltz, Ving Rhames, and Uma Thurman, whose dance sequence with Travolta proved an instant classic.

Retired after years of international espionage, Agent 007 is lured back into action to battle the evil spy organization SMERSH in this notoriously incoherent parody of the James Bond films. David Niven portrays the aging Bond, who atypically rejects the advances of a variety of women, and agrees to battle SMERSH’s hold on the lavish Casino Royale only after organization head M is murdered. Also mixed up in the affair are several other secret agents, all named James Bond, played by everyone from Peter Sellers and Woody Allen to a chimpanzee. Despite a star-studded cast, a large production budget, and a hit score by Burt Bacharach, the film was universally panned as a muddled, overlong failure, with the occasional amusing sequence lost in the unintelligible surroundings. The participation of several screenwriters and five different directors, including John Huston, only adds to the confusion.

Driver and muscle for hire Frank Martin returns in this sequel to the 2002 box-office hit. Frank Martin (Jason Statham) is a former special-forces officer who will transport anything anywhere for a price, and his latest assignment is acting as chauffeur for Jack Billings (Hunter Clary), the young son of politician Jefferson Billings (Matthew Modine), who has garnered no small amount of controversy for his aggressive efforts to stamp out the trade in illegal drugs. One day, Frank is to take Jack to the doctor for a checkup while his mother, Audrey (Amber Valletta), sets up a birthday party for the tyke. However, Jack’s doctor is not who he appears to be — he’s actually Dimitri (Jason Flemyng), a Russian agent well versed in viruses who works with criminal kingpin Gianni (Alessandro Gassman). After a long and hard-fought chase with Frank, the bad guys get ahold of little Jack and hold him for ransom. The parents comply with their monetary demands and soon have their son back at home — but little do they know that the boy has secretly been injected with a deadly and easily spread virus, which the terrorists hope to spread to the boy’s powerful father and other politicians whom Jefferson will soon be addressing at a public event. When Frank learns what has happened to young Jack, he sets out to find the culprits — and the antidote that will save the boy and all others who have been exposed to the virus from dying a painful death — though his foes have stacked the deck so that it looks as if Frank has been complicit in the crime.

Tribes of vampires and werewolves battle for supremacy among the undead in this follow-up to the horror hit Underworld. Tracing the bloody history of the ongoing war between the Death Dealers, a gang of upper-crust vampires, and the Lycans, a pack of scruffy werewolves, Underworld: Evolution finds beautiful Death Dealer Selene (Kate Beckinsale) and hunky Lycan Michael (Scott Speedman) exploring their own pasts as well as those of their comrades in hope of uncovering the secrets of this centuries-old conflict. As Selene and Michael deal with their bloody legacy as well as their forbidden romance, the violence between the Death Dealers and the Lycans escalates in what may be the final face-off between them. Directed by Len Wiseman, who also helmed the first film, Underworld: Evolution also stars Shane Brolly, Bill Nighy, Tony Curran, and Derek Jacobi.

Director Gus Van Sant returned to the low-key style of his early independent efforts with this semi-improvised exploration of how violence makes its way into a typical American high school. Eric (Eric Deulen) and Alex (Alex Frost) are two close friends who are students in a well-to-do suburb of Portland, OR. Eric and Alex are at once ordinary and misfits; while they seem to be confined to the edges of the clique-oriented social strata of high school, little about their behavior draws attention to itself. Or at least not during a typical school day; on their own time, the two boys are fascinated by Nazi iconography, enjoy violent video games, tentatively explore homoerotic desires, and coolly begin to make plans for an armed ambush of the school, drawing up working diagrams of the lunch room during study hall and buying rifles over the Internet. Drawing an expected degree of controversy, Elephant had its world premiere when it was screened in competition at the 2003 Cannes Film Festival, where it won both Best Director for Van Sant and the Golden Palm award.

The third entry in Tom Cruise’s Mission: Impossible film series involves super Impossible Mission Forces (IMF) agent Ethan Hunt (Cruise) being forced back into the field just when he was planning on marrying his girlfriend, Julia (Michelle Monaghan). The agency asks Hunt to save an operative (Keri Russell) he trained after weapons dealer Owen Davian (Philip Seymour Hoffman) kidnaps her. With the help of his field team — played by Ving Rhames, Jonathan Rhys-Meyers, and Maggie Q — Hunt achieves his goal, but becomes involved in a web of double-crosses that leave him wondering if he can trust his superiors (Billy Crudup and Laurence Fishburne). Eventually Davian threatens Julia’s life in order to get away with his evil plan. Simon Pegg appears as an IMF tech expert.