Bovie Movie

Bret Easton Ellis’ dark and violent satire of America in the 1980s is brought to the screen in this unsettling drama with black comic overtones. Patrick Bateman (Christian Bale), the son of a wealthy Wall Street financier, is pursuing his own lucrative career with his father’s firm. Bateman is the prototypical yuppie, obsessed with success, fashion, and style. He is also a serial killer who murders, rapes, and mutilates both strangers and acquaintances without provocation or reason. Donald Kimble (Willem Dafoe), a police detective, questions Bateman about the disappearance of Paul Allen (Jared Leto), whom Patrick murdered several days earlier. As Kimble stays on Bateman’s trail, Bateman’s mask of studied, distant cool begins to fall apart. American Psycho also features Reese Witherspoon as Bateman’s girlfriend, as well as Samantha Mathis, Chloe Sevigny, and Guinevere Turner; the latter also co-authored the screenplay. Controversy followed the production from the start, when speculation that Leonardo Di Caprio would play Bateman sparked concerns that he would lure preteens to an R-rated movie. Di Caprio soon bowed out of the project, and original leading man Bale was reinstated. Later, a group of Toronto residents attempted to block filming in that city after Canadian serial killer Paul Bernardo claimed that Ellis’ novel inspired his murder spree.

Directed by the prolific Rob Zombie, The Devil’s Rejects is a sequel of sorts to 2003’s House of 1000 Corpses, and picks up several weeks after House left off. This time, the clash revolves around the tribe of violent lunatics and decidedly valueless family members of the original film, who have come to be known as the “Devil’s Rejects.” After learning of the extended family’s horrific attacks, a SWAT team is sent to take them into custody; all but their crazed Mama escape. In addition to creating a full-fledged media circus, this sends the sociopath housemates on the run, and they initiate a deadly road trip. Meanwhile, Mama has to deal with a violent, vengeful sheriff (William Forsythe). The Devil’s Rejects features Bill Moseley, Sid Haig, Sheri Moon, Michael Berryman, and Ken Foree, among other cult horror regulars.

Bill Murray plays Phil, a TV weatherman working for a local station in Pennsylvania but convinced that national news stardom is in his grasp. Phil displays a charm and wit on camera that evaporates the moment the red light goes off; he is bitter, appallingly self-centered, and treats his co-workers with contempt, especially his producer Rita (Andie MacDowell) and cameraman Larry (Chris Elliot). On February 2, 1992, Phil, Rita, and Larry are sent on an assignment that Phil especially loathes: the annual Groundhog Day festivities in Punxsutawney, PA, where the citizens await the appearance of Punxsutawney Phil, the groundhog who will supposedly determine the length of winter by his ability to see his own shadow. Phil is eager to beat a hasty retreat, but when a freak snowstorm strands him in Punxsutawney, he wakes up the next morning with the strangest sense of d?j? vu: he seems to be living the same day over again. The next morning it happens again, and then again. Soon, no matter what he does, he’s stuck in February 2, 1992; not imprisonment nor attempted suicide nor kidnapping the groundhog gets him out of the loop. But the more Phil relives the same day, the more he’s forced to look at other people’s lives, and something unusual happens: he begins to care about others. He starts to respect people, he tries to save the life of a homeless man, and he discovers that he’s falling in love with Rita and therefore wants to be someone that she could love in return.

Retired after years of international espionage, Agent 007 is lured back into action to battle the evil spy organization SMERSH in this notoriously incoherent parody of the James Bond films. David Niven portrays the aging Bond, who atypically rejects the advances of a variety of women, and agrees to battle SMERSH’s hold on the lavish Casino Royale only after organization head M is murdered. Also mixed up in the affair are several other secret agents, all named James Bond, played by everyone from Peter Sellers and Woody Allen to a chimpanzee. Despite a star-studded cast, a large production budget, and a hit score by Burt Bacharach, the film was universally panned as a muddled, overlong failure, with the occasional amusing sequence lost in the unintelligible surroundings. The participation of several screenwriters and five different directors, including John Huston, only adds to the confusion.

Your friendly neighborhood web-slinger is back, only this time his sunny outlook has become partially overcast in the third chapter of director Sam Raimi’s Spider-Man saga. Tobey Maguire, Kirsten Dunst, and James Franco return to reprise their roles from the previous two installments, with Thomas Haden Church, Topher Grace, and Bryce Dallas Howard making their first appearances in the series as Flint Marko (aka Sandman), Eddie Brock (aka Venom), and Gwen Stacy, respectively. Peter Parker (Maguire) has finally leaned to walk the middle ground between being the superhero that his city needs, and the man that Mary Jane (Dunst) loves. All is well in New York City until one night, as Peter and M.J. set gazing at the stars, a falling comet streams across the sky and crashes into the ground close by. But this isn’t any ordinary shooting star, and upon impact the mysterious space rock is split open to reveal a shape-shifting symbiote with the power to overtake anything that it comes into contact with. Later, as Harry Osborn acquires his late father’s flying board, engineers a powerful new Goblin outfit, and takes to the sky to avenge dad’s death, the mysterious space sludge infects both Peter’s Spider Man suit and ambitious street photographer Eddie Brock (Grace). His strange new suit giving him a newfound sense of power as it gradually overpowers his personality, Peter discovers that escaped convict Flint Marko was in fact the man responsible for the death of Uncle Ben (Cliff Robertson). Unfortunately for Peter, Marko has recently acquired the power to morph at will and quickly completes his transformation into the dreaded Sandman. As the Sandman gives in to his darkest criminal instincts and the slithering space symbiote transforms Eddie Brock into the nightmarish fanged villain known as Venom, the citizens of New York City must once again call on Spider Man to fend off destructive forces that are far too powerful for the likes of mortal man.

Upon acquiring a mysterious book in which the number 23 seems to take on powerful cosmic significance, a once-sane man gradually becomes obsessed with the idea that the frequently recurring number may in fact hold a deadly secret in this intense mystery-thriller starring Jim Carrey and Virginia Madsen, and directed by Joel Schumacher. Walter Sparrow (Carrey) is a middle-aged dogcatcher whose wife Agatha (Madsen) has bestowed him with an obscure mystery novel detailing the investigation launched by a tough-talking gumshoe named Fingerling (also Carrey) whose every move seems to be overshadowed by the enigmatic eponymous number. After noting a series of alarming parallels shared between the fictional detective and himself, Walter is quickly drawn in to the story as the hard-boiled private investigator murders raven-wigged moll Fabrizia (also Madsen) and pins the crime on her unsuspecting lover (Danny Huston). Back in the real world, fiction seems to merge with reality as Walter and Agatha’s close friend Isaac (also Huston) begins to ingratiate himself ever deeper into the couple’s relationship and Walter begins experiencing a gruesome series of visions in which he violently murders an unfaithful Agatha. His mind fast descending into a dark and violent whirlwind of madness, Walter enlists the aid of Agatha and the pair’s adolescent son Robin (Logan Lerman) in seeking out the author of the mysterious tome and uncovering the sinister truth behind the so-called “23 enigma.”

David Rabe’s popular play of Hollywood immorality and decadence is brought to the big screen by director Anthony Drazan and an all-star cast that includes Sean Penn, Robin Wright-Penn, Kevin Spacey, Meg Ryan, Chazz Palminteri, Garry Shandling, and Anna Paquin. The film is set in the Hollywood Hills and tells the story of Eddie (Penn) a drinking-smoking-snorting-womanizing casting director and his philandering partner-roommate Mickey (Spacey). Along with their buddies Artie and Phil, they sit around and pontificate about the meaning of life — that is, the meaning of their lives, of which there is very little. Eddie is in love with Darlene (real-life wife Wright Penn), but she is also seeing the married Mickey. When Artie brings Eddie and Mickey a “care package” in the shape of a pretty, disillusioned hitchhiker named Donna (Paquin), they take turns throwing her around until, yet again, their own empty pathetic lives preoccupy their paranoid minds. As people and relationships deteriorate everywhere, the guys try to pick Phil by giving him the gift of a washed-up exotic dancer, Bonnie (Ryan). Of course she ends up just more abused than ever as she and the rest of the gang hit rock bottom.

With this all-star Cinerama epic, producer/director Stanley Kramer vowed to make “the comedy that would end all comedies.” The story begins during a massive traffic jam, caused by reckless driver Smiler Grogan (Jimmy Durante), who, before (literally) kicking the bucket, cryptically tells the assembled drivers that he’s buried a fortune in stolen loot, “under the Big W.” The various motorists setting out on a mad scramble include a dentist (Sid Caesar) and his wife (Edie Adams); a henpecked husband (Milton Berle) accompanied by his mother-in-law (Ethel Merman) and his beatnik brother-in-law (Dick Shawn); a pair of comedy writers (Buddy Hackett and Mickey Rooney); and a variety of assorted nuts including a slow-wit (Jonathan Winters), a wheeler-dealer (Phil Silvers), and a pair of covetous cabdrivers (Peter Falk and Eddie “Rochester” Anderson). Monitoring every move that the fortune hunters make is a scrupulously honest police detective (Spencer Tracy). Virtually every lead, supporting, and bit part in the picture is filled by a well-known comic actor: the laughspinning lineup also includes Carl Reiner, Terry-Thomas, Arnold Stang, Buster Keaton, Jack Benny, Jerry Lewis, and The Three Stooges, who get one of the picture’s biggest laughs by standing stock still and uttering not a word. Two prominent comedians are conspicuous by their absence: Groucho Marx refused to appear when Kramer couldn’t meet his price, while Stan Laurel declined because he felt he was too old-looking to be funny. Available for years in its 154-minute general release version, the film was restored to its roadshow length of 175 minutes on home video; the search goes on for a missing Buster Keaton routine, reportedly excised on the eve of the picture’s premiere.

Directed by Richard Loncraine, Wimbledon follows the plight of aspiring tennis-star Peter Colt (Paul Bettany), whose bad luck seems to manifest itself just about everywhere. Professionally, Peter is near the very bottom of the world tennis ranks, and personally, he can’t find love despite his best efforts to do so. In a rare turn of events, however, Peter is chosen as a wildcard to play at Wimbledon, the tennis world’s most prestigious competition. While there, he meets American tennis ing?nue Lizzie Bradbury (Kirsten Dunst), and his confidence on the court and off improves tenfold as he falls further in love with her. Driven by his newfound luck, Peter climbs to the top of the tournament players at record speed, until he actually has a fighting chance of winning the men’s singles title — the question is whether or not his good fortune will hold out long enough for him to get the trophy.

A popular video game comes to the screen with this big-budget adventure starring Angelina Jolie as a buxom heroine recalling equal parts Indiana Jones and James Bond. Jolie is Lara Croft, a proper British aristocrat groomed at schools for the children of the elite. Croft leads a double life, however, as an acquirer of lost antiquities through questionable means, highly trained in combat skills with the help of a robotic opponent called Simon. Despite her exciting profession and a life of wealth and breeding, Lara pines for her father, Lord Croft (Jon Voight), whose passing left her orphaned. On the eve of a celestial event that will also mark the anniversary of Lord Croft’s death, Lara comes up against an ancient organization called the Illuminati, represented by the sinister Powell (Iain Glen), who’s in pursuit of an ancient relic with power over time and even death itself. With the aid of her high-tech support team, Lara travels to some exotic locales in search of the artifact, including a foray into a decrepit Asian temple guarded by lethal stone apes and other creatures that spring to life. Filmed at various locations in Great Britain as well as Iceland and the Angkor Wat temples of Cambodia, Tomb Raider co-stars Noah Taylor, Chris Barrie, Daniel Craig, Rachel Appleton, Leslie Phillips, Mark Collie, and Julian Rhind-Tutt.