Bovie Movie

Writer and director John Carpenter returns to the mixture of science fiction and horror that made The Thing (1982) a success. Natasha Henstridge stars as Lt. Melanie Ballard of the Martian Police Force, a member of a law enforcement team two centuries in the future, dispatched to the remote colony of Shining Canyon. There, the most notorious criminal on Mars, James “Desolation” Williams (Ice Cube), awaits transport to a more secure jail. Besides Ballard, the other cops include the rookie Bashira (Clea Duvall), hotshot and fast talker Jericho (Jason Statham), tough veteran and squad leader Helena (Pam Grier), and reliable soldier Descanso (Liam Waite). Once Ballard and her companions arrive in Shining Canyon, however, they discover that it’s a literal ghost town. It seems that an archaeologist team led by Professor Whitlock (Joanna Cassidy) has uncovered an ancient relic at a nearby dig site, unleashing the vengeful spirits of the planet’s long-ago warrior inhabitants, which have now possessed the bodies of the human invaders and set about trying to destroy them. After her team is decimated by the Martian specters, Ballard is forced to turn for help to the one person she can’t really trust: Williams. Ghosts of Mars screenwriter Larry Sulkis broke into the film business as producer of the satirical commercials in Carpenter’s They Live (1988).

A band of renegades on the run in outer space get in more hot water than they anticipated in this sci-fi action-adventure adapted from the television series Firefly. In the 26th century, the galaxy has been colonized by a military force known as the Alliance, but its leadership has not gone unquestioned. The Alliance was once challenged by a league of rebels known as the Independents, but the Alliance emerged victorious after a brutal civil war, with the surviving Independents scattering around the galaxy. Also wandering the edges of the galaxy are the Reavers, who have won few allies due to their violent behavior and habit of ripping apart their enemies and eating them before they’re dead. Capt. Malcolm “Mal” Reynolds (Nathan Fillion), who fought as an Independent in the galactic war, is the head of Serenity, a rogue frieghter ship whose crew includes Mal’s first mate, Zoe (Gina Torres), who fought alongside him in the war, her husband, hotshot pilot Wash (Alan Tudyk), sunny but dependable mechanic Kaylee (Jewel Staite), and hard-nosed gunman Jayne (Adam Baldwin). The crew of Serenity wander the galaxy, taking on whatever work they can get, from criminal activities like smuggling and stealing to legitimately offering transport to travelers. Passengers aboard Serenity include professional “companion” Inara (Morena Baccarin) and holy man Shepherd Book (Ron Glass), but the real trouble aboard the ship comes with the arrival of Simon (Sean Maher) and his teenage sister, River Tam (Summer Glau). In time, the crew discovers that River has remarkable psychic powers and was being held captive by Alliance forces until Simon came to her rescue. Now the Alliance is hot on the heels of Serenity and its passengers, with The Operative (Chiwetel Ejiofor), a sinister Alliance tracker, leading the chase. Serenity was written and directed by Joss Whedon (in his directorial debut), creator of Firefly, which only lasted 11 weeks on the air but gained a powerful cult following who rallied to get the show released on DVD after its cancellation, leading to impressive home-video sales and and an eventual motion picture deal. A couple of months prior to Serenity’s theatrical release, reruns of Firefly were picked up by the Sci-Fi channel, adding even more fans to its cult following.

The Eisner Award-winning comic series Sin City comes to life in this live-action feature adaptation from director Robert Rodriguez and creator Frank Miller. Interweaving multiple storylines from the series’ history, this violent crime noir paints the picture of the ultimate town without pity through the eyes of its roughest characters. There’s the street thug Marv (Mickey Rourke), whose desperate quest to find the killer of a prostitute named Goldie (Jaime King) will lead him to the foulest edges of town. Inhabiting many of those areas is Dwight (Clive Owen), a photographer in league with the sordid ladies of Sin City, headed by Gail (Rosario Dawson), who opens up a mess of trouble after tangling with a corrupt cop by the name of Jackie Boy (Benicio Del Toro). Finally, there’s Hartigan (Bruce Willis), an ex-cop with a heart problem who’s hell-bent on protecting a stripper named Nancy (Jessica Alba). Featuring a who’s who supporting cast that includes Elijah Wood, Brittany Murphy, Devon Aoki, and Nick Stahl, Sin City promises to be one of the most direct translations from page to screen of a comic series, with shots and dialogue adapted straight from the original comic’s panels. Rodriguez quit the Director’s Guild when they refused to let Frank Miller co-direct the film, a deal hashed out after the two collaborators developed and shot the opening scene utilizing a green-screen process to harness the stark, black-and-white look of the books as a litmus test for the rest of the production. Quentin Tarantino was brought in and reportedly paid one dollar to direct an extended scene between Del Toro and Owen that amounts to one issue of The Big Fat Kill miniseries.

The Devil’s Rejects director Rob Zombie resurrects one of the most notorious slashers in screen history with this re-imagining of the 1978 John Carpenter classic that spawned numerous sequels and countless imitators. As a child, young Michael Myers (Daeg Faerch) committed one of the most unspeakable crimes imaginable. Subsequently locked in an asylum and placed under the care of Dr. Loomis (Malcolm McDowell), the hollow-eyed boy grew into an emotionless man determined to escape back to his hometown of Haddonfield and complete the murderous mission that he began so many years back. These days, the long-abandoned Myers house sits decrepit and overgrown on a peaceful suburban street, its boarded windows and rotting wood a silent testament to the slaughter that has haunted Haddonfield for decades. Now Michael Myers (Tyler Mane) is back, and as the children of this typical Midwestern town fill the sidewalks for a fun-filled night of tricks and treats, Haddonfield is about to find out that there is no escape from pure evil. Brad Dourif, William Forsythe, Udo Kier, Dee Wallace, Sheri Moon Zombie, Danny Trejo, and Adrienne Barbeau co-star.

One man’s life is thrown into turmoil by picking up a telephone in this claustrophobic thriller. Stu Shepard (Colin Farrell) is a brash, cynical, and self-centered public relations man who juggles a busy career with both a wife, Kelly (Radha Mitchell), and a mistress, Pamela (Katie Holmes). Stu steps into a phone booth on a busy New York street to make a call to Pamela without Kelly being the wiser, but as soon as Stu hangs up, the phone begins to ring. Curious, Stu picks it up — and a stranger on the other end (voice of Kiefer Sutherland) informs him that if he hangs up the phone, he’ll be shot. The red dot of an infrared rifle scope convinces Stu that the caller means business, and when another man tries to make his way into the booth, he’s shot mere inches from Stu, calling the attention of the police. Captain Ramey (Forest Whitaker) naturally assumes that Stu was the killer, as Stu struggles to find a way to convince the police of what’s happening before more lives are lost, without leaving the booth and putting his own life on the line. At one time proposed as a vehicle for Jim Carrey, Phone Booth was directed by Joel Schumacher, from a screenplay by exploitation icon Larry Cohen.

A good Samaritan becomes the victim of voodoo spells in this horror story produced by Scream screenwriter Kevin Williamson. When an aged Creole woman is caught in a car wreck in a remote section of Louisiana, Ray (Rick Cramer), the owner of a nearby filling station, speeds to the scene of the accident to help. However, Ray doesn’t know that the woman is a voodoo practitioner whose vehicle holds a case full of magic talismans. The magical spirits lead Ray to an unexpected death, and then they take over his body, turning him into a bloodthirsty monster. As the reanimated Ray makes his way into town, a group of teenagers including Eden (Agnes Bruckner) and Tammy (Bijou Phillips) find themselves running for their lives from the supernatural creature, while Deputy Turner (Method Man) looks for a way to keep the strange menace under control. Venom went into release in the fall of 2005 — only a few weeks after Hurricane Katrina devastated much of the state of Louisiana, making the film seem unfortunately topical.

John Frankenheimer directed this $20 million international action thriller from a screenplay by Richard Weisz (pseudonym for David Mamet) and J.D. Zeik. In Paris, Irish organizer Deidre (Natascha McElhone) assembles a team to grab a mysterious briefcase from criminals. They are never told who hired them or the true identity of their targets. The hired specialists: Former CIA officer Sam (Robert De Niro), former Euro intelligence agent Vincent (Jean Reno), German electronics expert Gregor (Stellan Skarsgard), driver Larry (Skip Sudduth), and British weapons wrangler Spence (Sean Bean). After a Seine shootout, the action moves to the South of France, with a recon mission in Cannes, and a chase that brings everyone to Nice. Inevitable betrayals ensue, along with more pursuits.

A dark, bitter commentary on modern American life cloaked in the form of a surrealist western, Jim Jarmusch’s Dead Man stars Johnny Depp as William Blake, a newly-orphaned accountant who leaves his home in Cleveland to accept a job in the frontier town of Machine. Upon his arrival, Blake is told by the factory owner Dickinson (Robert Mitchum) that the job has already been filled. Dejectedly, he enters a nearby tavern, ultimately spending the night with a former prostitute. A violent altercation with the woman’s lover (Gabriel Byrne), also Dickinson’s son, leaves Blake a murderer as well as mortally wounded, a bullet lodged dangerously close to his heart. He flees into the wilderness, where a Native American named Nobody (Gary Farmer) mistakes Blake for the English poet William Blake and determines that he will be Blake’s guide in his protracted passage into the spirit world.

Directed by the prolific Rob Zombie, The Devil’s Rejects is a sequel of sorts to 2003’s House of 1000 Corpses, and picks up several weeks after House left off. This time, the clash revolves around the tribe of violent lunatics and decidedly valueless family members of the original film, who have come to be known as the “Devil’s Rejects.” After learning of the extended family’s horrific attacks, a SWAT team is sent to take them into custody; all but their crazed Mama escape. In addition to creating a full-fledged media circus, this sends the sociopath housemates on the run, and they initiate a deadly road trip. Meanwhile, Mama has to deal with a violent, vengeful sheriff (William Forsythe). The Devil’s Rejects features Bill Moseley, Sid Haig, Sheri Moon, Michael Berryman, and Ken Foree, among other cult horror regulars.

Sylvain White’s horror sequel I’ll Always Know What You Did Last Summer concerns four friends who decide to keep it to themselves after they see a mutual friend die during a dangerous stunt. One year after the incident, all four friends are getting scary messages from somebody who seems to know the group’s secret.