Bovie Movie

Famed producer Dino De Laurentiis tries to steal the thunder from Jaws, then the top-grossing film of all-time, in this big budget remake of King Kong. (De Laurentiis related his tactics to Tom Snyder: “When Jaws dies, nobody cries. When Kong dies, they all cry.”) Updated to the 1970s, the original Robert Armstrong character is now Fred Wilson (Charles Grodin), a big-shot oil magnate from Petrox Oil, looking for new petroleum deposits on a recently discovered Pacific island. Jack Prescott (Jeff Bridges) is a counter-culture paleontologist, stowing away on Wilson’s ship, who warns that they are headed for “Skull Island,” where prehistoric monsters still live and roam free. Also along for the ride is Dwan (Jessica Lange, in her film debut), a down-on-her-luck starlet, shipwrecked in the ocean after the sinking of a yacht. She really becomes down-on-her-luck when the group lands on the island and a giant ape, Kong, takes a shine to her. Kong kidnaps her and Dwan takes umbrage when the ape tries to remove her clothes by shouting, “You male chauvinist ape!” But Prescott comes to her aid and rescues her from the gorilla’s big mits. Wilson, seeing money to be made on Kong, locks him in the cargo hold of his ship and transports him to New York City. Once there, Kong manages to escape and wreak havoc upon the beleaguered town, before being compelled to climb up the World Trade Center for sanctuary.

After years of wooing director John Huston via good reviews, film critic James Agee was given a chance to write the screenplay for a Huston picture. Adapted from a novel by C.S. Forester, The African Queen stars Humphrey Bogart in his Oscar-winning portrayal of Charlie Allnut, the slovenly, gin-swilling captain of a tramp steamer called the African Queen, which ships supplies to small East African villages during World War I. Katharine Hepburn plays Rose Sayer, the maiden-lady sister of a prim British missionary (Robert Morley). When invading Germans kill the missionary and level the village, Allnut offers to take Rose back to civilization. She can’t tolerate his drinking or bad manners; he isn’t crazy about her imperious, judgmental attitude. However it does not take long before their passionate dislike turns to love. Together the disparate duo work to ensure their survival on the treacherous waters and devise an ingenious way to destroy a German gunboat. The African Queen may well be the perfect adventure film, its roller-coaster storyline complemented by the chemistry between its stars. The profound difficulties inherent in filming on location in Africa have been superbly documented by several books, including one written by Katharine Hepburn. Screenwriter Peter Viertel (who worked, on an uncredited basis, on the script of this film - assisting with some of the dialogue) incorporated some of the African Queen anecdotes in his roman a clef about a Huston-like director/adventurer, White Hunter, Black Heart.

Steven Spielberg followed Jaws (1975), his first major box-office success, with this epic science fiction adventure about a disparate group of people who attempt to contact alien intelligence. Roy Neary (Richard Dreyfuss) is an electrical lineman who, while sent out on emergency repairs, witnesses an unidentified flying object, and even has a “sunburn” from its bright lights to prove it. Neary’s wife and children are at first skeptical, then concerned, and eventually fearful, as Roy refuses to accept a “logical” explanation for what he saw and is prepared to give up his job, his home, and his family to pursue the “truth” about UFOs. Neary’s obsession eventually puts him in contact with others who’ve had close encounters with alien spacecraft, including Jillian (Melinda Dillon), a single mother whose son disappeared during her UFO experience, and Claude Lacombe (celebrated French filmmaker Fran?ois Truffaut), a French researcher who believes that we can use a musical language to communicate with alien visitors. Lacombe’s theory is put to the test when a band of government researchers and underground UFO enthusiasts (including Neary) join for an exchange with alien visitors near Devil’s Tower, Wyoming. In 1980, a “Special Edition” was released. While its primary selling point was the addition of scenes inside the alien spaceship, Spielberg claimed that he also cleaned up some choppy editing in the second act.

Cecil B. DeMille’s Technicolor historical spectacle Reap the Wild Wind was to have starred Gary Cooper, but Cooper’s prior commitment to Goldwyn’s Pride of the Yankees compelled DeMille to recast the leading role with John Wayne. The film, set in the mid-19th century, centers around Key West, Florida, where piracy reigns unchecked. Wayne plays the captain of a salvage business, working on behalf of Raymond Massey to rescue valuables from the merchant ships wrecked by pirates. During one expedition, Wayne is rescued from drowning by Paulette Goddard, the hoydenish manager of a rival salvage firm. Goddard arranges for Wayne to go to work for her boss, Ray Milland, and a romantic rivalry ensues. Later on, Goddard’s cousin Susan Hayward is lost at sea when her ship is attacked by pirates. Wayne is accused of engineering the wreck, thanks to the duplicity of Massey, the real brains of the pirate operation. Wayne and Milland both don deep-sea diving gear and swim to the bottom in search of evidence. When Milland is attacked by an octopus, Wayne saves his rival’s life at the expense of his own. Massey is exposed, and Milland wins Goddard. Essentially a standard maritime meller, Reap the Wild Wind takes on the veneer of importance thanks to DeMille’s epic treatment of the material. Though competition is fierce, Ray Milland steals the show with a truly offbeat characterization (he even gets to indulge in a little ventriloquism!)

A handful of zoo animals leave behind their well-protected environment for the streets of the big city in this computer-animated comedy. Sampson (voice of Kiefer Sutherland) is the king of a make-believe jungle far from the African plains — he’s a lion on display at a zoo in New York City’s Central Park, and he lords it over the other animals, including Nigel (voice of Eddie Izzard), a testy koala bear; Larry, a dumb but well-meaning snake; ; Bridget (voice of Janeane Garofalo), a bright but cynical giraffe; and Benny (voice of Jim Belushi), a very New York-ish squirrel who is good friends with Sampson and is trying to romance Bridget without much success. The pride and joy of Sampson’s life is his son, Ryan (voice of Greg Cipes), and he’s devastated when one day Ryan is crated up and shipped back to Africa. Sampson is desperate to find his boy, and with the help of his pals he escapes the zoo and sets out on a daring mission to rescue Ryan, battling the unfamiliar terrain and Kazar, a wildebeest with a will to power and a passion for choreography (voice of William Shatner) along the way. The Wild was the first directorial credit for animator and special-effects artist Steve “Spaz” Williams.

The first effort from director Wes Anderson since his critically beloved The Royal Tenenbaums, The Life Aquatic With Steve Zissou finds the filmmaker re-teaming with a number of familiar faces, including Bill Murray, Owen Wilson, Anjelica Huston, and Seymour Cassel. Murray plays Steve Zissou, an eccentric and renowned oceanographer who has decided to seek out and enact mortal revenge on a shark that ate one of the men on his team. Along for the ride is Ned Plimpton (Owen Wilson), a young man who has joined Zissou’s crew after showing up claiming to be the seaman’s long-lost son and Zissou’s co-producer (and estranged wife), Eleanor Angelica Huston. As the expedition ensues, the two bond and Plimpton falls for a female journalist (Cate Blanchett) who is writing a piece on Zissou. The crew meets a host of obstacles on their journey, including pirates, kidnapping, and bankruptcy. Adding a flair of whimsy to the film’s aesthetic, the sea creatures and underwater scenes in the film have been created using stop-motion animation under the direction of Henry Selick, the man behind The Nightmare Before Christmas and James and the Giant Peach. The ensemble cast also includes Willem Dafoe, Jeff Goldblum, Michael Gambon, Noah Taylor, and Bud Cort.

A pack of not-so-wild animals experience some serious culture shock when they move from the Big Apple to the Mighty Jungle in this computer-animated comedy. Alex (voice of Ben Stiller) is a lion who enjoys a charmed life as one of the leading attractions at a zoo in New York City’s Central Park. While Alex and his pals Marty the Zebra (voice of Chris Rock), Gloria the Hippo (voice of Jada Pinkett Smith), and Melman the Giraffe (voice of David Schwimmer) are happy with their lot in life, they occasionally have a certain curiosity about the outside world, and when the zoo’s penguins decide to make a break for it, Marty follows them into the city. Alex, Gloria, and Melman set out to find Marty before he gets into trouble, but they’re a bit too late, and soon the zookeepers have decided that the animals are restless and need to be returned to the wild. Soon the critters find themselves living on the coast of Madagascar, where they quickly discover they aren’t quite suited for living in the wild. Madagascar also features the voice talents of Cedric the Entertainer, Andy Richter, and Sacha Baron Cohen (aka Ali G).

The third installment in the widely beloved Spielberg/Lucas Indiana Jones saga begins with an introduction to a younger Indy (played by the late River Phoenix), who, through a fast-paced prologue, gives the audience insight into the roots of his taste for adventure, fear of snakes, and dogged determination to take historical artifacts out of the hands of bad guys and into the museums in which they belong. A grown-up Indy (Harrison Ford) reveals himself shortly afterward in a familiar classroom scene, teaching archeology to a disproportionate number of starry-eyed female college students in 1938. Once again, however, Mr. Jones is drawn away from his day job after an art collector (Julian Glover) approaches him with a proposition to find the much sought after Holy Grail. Circumstances reveal that there was another avid archeologist in search of the famed cup — Indiana Jones’ father, Dr. Henry Jones (Sean Connery) — who had recently disappeared during his efforts. The junior and senior members of the Jones family find themselves in a series of tough situations in locales ranging from Venice to the most treacherous spots in the Middle East. Complicating the situation further is the presence of Elsa (Alison Doody), a beautiful and intelligent woman with one fatal flaw: she’s an undercover Nazi agent. The search for the grail is a dangerous quest, and its discovery may prove fatal to those who seek it for personal gain. Indiana Jones and the Last Crusade earned a then record-breaking $50 million in its first week of release.