Bovie Movie

Robert Altman directed this John Grisham tale that begins at a party where Savannah attorney Rick Magruder (Kenneth Branagh) celebrates his successful defense of a man who shot a local cop. The partygoers include his ex-wife Leeanne (Famke Janssen), the mother of his two children; his law partner Lois Harlan (Daryl Hannah); and caterer Mallory Doss (Embeth Davidtz). After Mallory finds her car stolen, Rick gives her a ride home where things turn sexual. Attracted to Mallory, he learns that her crazed father Dixon Doss (Robert Duvall) has been threatening her. Getting too closely involved with this woman he hardly knows, Rick has the police round up her unstable father, and he next subpoenas her ex-husband Pete (Tom Berenger) to testify against Dixon, who is institutionalized.

The crazed Dixon manages to escape from the asylum, intent on revenge against all his betrayers and enemies. As a potent hurricane blows into Savannah, Mallory’s car is torched, and Rick receives threats. Believing his children are in danger, Rick removes them from school, prompting a warrant for his arrest. When his children disappear, Rich goes on the counterattack against Dixon. Chinese cinematographer Changwei Gu (of Chen Kaige’s Farewell My Concubine and Zhang Yimou’s Ju Dou) captured the soaked Savannah sites. The script is not an adaptation from a John Grisham novel; Grisham wrote it as an original screenplay just before the success of The Firm (1993), and it was acquired by producer Jeremy Tannenbaum. After Island Pictures came into the project at $1.4 million, Grisham returned for rewrites. Altman did even more drafts, so the pseudonym Al Hayes was created as the scripting credit. When Polygram suggested to Altman that the electronic score could be replaced with a traditional score, Altman had friends call reporters to say he had been dismissed. Polygram began re-editing the $25 million movie, but their edit didn’t test much better than Altman’s version, so they handed the reins back to Altman.

Australian filmmaker known for such classics as The Chant of Jimmie Blacksmith and Six Degrees of Separation, Fred Schepisi tells this story about a group of lifelong chums coming to terms with their friend’s death, based on a prize-winning novel by Graham Swift. When Jack Dodd (Michael Caine) passes on, his three best buddies (Tom Courtenay, Bob Hoskins, and David Hemmings) along with his son (Ray Winstone) carry out his last wish — to have his ashes cast off the pier of the seaside town of Margate, where he and his beloved wife honeymooned and where he hoped to retire. As the group venture to the coast in a large black Mercedes, they reminisce about their younger, wilder days. Eventually, they end up in a pub where, in a haze of beer and tears, secrets are unveiled. Meanwhile, Jack’s wife, Amy (Helen Mirren), visits the mentally disabled daughter that Jack refused to acknowledge. This film was screened at the 2001 Toronto Film Festival.

Cops, secretaries, and prisoners stuck in a soon-to-be-shuttered L.A. police station fight off a horde of murderous gang members in director John Carpenter’s homage to Howard Hawks. When police officer Bishop (Austin Stoker) is left in charge of Precinct 13 on the last day it’s open, he isn’t prepared for the onslaught of a murderous street gang who have come into the possession of an enormous arsenal of guns. Finding himself trapped in the precinct with a pair of secretaries (Laurie Zimmer and Nancy Loomis), a few civilians and a handful of prisoners, Bishop is unable to call for help because the phones have already been disconnected and the precinct is in a run-down, out-of-the-way neighborhood. Holding out for a rescue, he and his fellow prisoners band together to barricade themselves in and hold the bandits at bay. But as the casualties mount and the supplies run low, they must choose between a daring escape attempt, a fiery offensive, or certain death. The sophomore feature from auteur-in-the-making John Carpenter, Assault on Precinct 13 reunited the director with Douglas H. Knapp, his cinematographer on 1974’s Dark Star.

“I am….Drac-u-la. I bid you velcome.” Thus does Bela Lugosi declare his presence in the 1931 screen version of Bram Stoker’s Dracula. Director Tod Browning invests most of his mood and atmosphere in the first two reels, which were based on the original Stoker novel; the rest of the film is a more stagebound translation of the popular stage play by John Balderston and Hamilton Deane. Even so, the electric tension between the elegant Dracula and the vampire hunter Professor Van Helsing (Edward Van Sloan) works as well on the screen as it did on the stage. And it’s hard to forget such moments as the lustful gleam in the eyes of Mina Harker (Helen Chandler) as she succumbs to the will of Dracula, or the omnipresent insane giggle of the fly-eating Renfield (Dwight Frye). Despite the static nature of the final scenes, Dracula is a classic among horror films, with Bela Lugosi giving the performance of a lifetime as the erudite Count (both Lugosi and co-star Frye would forever after be typecast as a result of this film, which had unfortunate consequences for both men’s careers). Compare this Dracula to the simultaneously filmed Spanish-language version, which makes up for the absence of Lugosi with a stronger sense of visual dynamics in the lengthy dialogue sequences. In 1999, a special rerelease of Dracula was prepared featuring a new musical score written by Philip Glass and performed by The Kronos Quartet.

Robert Redford directed this adaptation of a novel by Steven Pressfield that uses golf as a metaphor for one man’s spiritual and philosophical journeys. Rannulph Junuh (Matt Damon) was a gifted amateur golfer from Savannah, GA, until traumatic experiences during World War I shattered his confidence and sent him into a spiral of alcoholism. In 1931, Adele Invergordon (Charlize Theron), a beautiful heiress who once loved Junuh, inherits a spectacular but financially ailing golf course after the suicide of her father. To attract customers, she proposed a high-stakes match between the two most famous golfers of the day, Bobby Jones (Joel Gretsch) and Walter Hagen (Bruce McGill). Local businessmen sponsoring the match insist that a local golfer be added to the card, and Junuh is drafted for the position, but it soon becomes obvious that his game is just a shadow of its former glory. When things seem hopeless, a mysterious gentleman named Bagger Vance (Will Smith) volunteers to serve as Junuh’s caddy and coach, using a mixture of ancient wisdom and past-life knowledge to help Junah “remember” the swing he’s lost. Jack Lemmon narrates the story, and J. Michael Moncrief plays Lemmon’s character as a boy.

In October 1991, a dying tropical hurricane from Bermuda collided with a cold front from the Great Lakes, resulting in a “perfect storm” of previously unknown destructive impact that resulted in 100-foot waves; tragically, the crew of a fishing boat was lost in the midst of the fearsome storm. Based on the best-selling book by Sebastian Junger, The Perfect Storm tells the story of the ship’s brave and hard-working crew. Billy Tyne (George Clooney), captain of the Andrea Gail, hasn’t had much luck finding catch on his most recent trips to sea, and with money short, he and his crew — Bob Shatford (Mark Wahlberg), Dale Murphy (John C. Reilly), and David Sullivan (William Fichtner) set out again when they hear that the fish are running. Billy’s hunch proves correct, but when the ship’s refrigeration system goes haywire, they have to return to shore as quickly as possible before the fish spoil, sending them into the middle of the worst storm in history. The supporting cast includes Mary Elziabeth Mastrantonio, Diane Lane, Bob Gunton, and Karen Allen; Wolfgang Petersen, whose breakthrough film was the aquatic wartime drama Das Boot, directed.

An exploration of human survival and the ability of fate to alter even the tidiest of lives with one major event, Cast Away tells the story of Chuck Noland (Tom Hanks), a Federal Express engineer who devotes most of his life to his troubleshooting job. His girlfriend Kelly (Helen Hunt) is often neglected by his dedication to work, and his compulsive personality suggests a conflicted man. But on Christmas Eve, Chuck proposes marriage to Kelly right before embarking on a large assignment. On the assignment, a plane crash strands Chuck on a remote island, and his fast-paced life is slowed to a crawl, as he is miles removed from any human contact. Finding solace only in a volleyball that he befriends, Chuck must now learn to endure the emotional and physical stress of his new life, unsure of when he may return to the civilization he knew before. Cast Away reunites star Hanks with director Robert Zemeckis, their first film together since 1994’s Oscar-winning Forrest Gump.

Wolfgang Petersen adapted Michael Ende’s children’s story for this charming fantasy film that spawned several sequels. Bastian (Barret Oliver) is dealing with his mother’s recent death. His father (Gerald McRaney) is an imperious sort who continually lambastes Bastian for daydreaming and falling behind in school. On top of his father’s badgering, he has to contend with a bunch of school bullies waiting for him in the schoolyard. One day he decides to play hooky and walks into a strange bookstore, where in the attic, he discovers a book called “The Neverending Story”. As Bastian reads the book, he’s enveloped in the unfolding tale. A sickly child-like empress (Tami Stronach) from a land called Fantasia is concerned about who will take over the land if she dies. She decides it is best for Fantasia if she remains alive, so she dispatches a young warrior named Atreju (Noah Hathaway) to find a cure for the empress’s malady. It turns out the land is consumed with a plague called The Nothing, generated by blighted dreams and hopeless fantasies. As Atreju continues onward to search for a cure for The Nothing, he encounters an assortment of strange creatures. Bastian is so consumed with the tale that he finds himself catapulted into the land of Fantasia himself. Atreju realizes that the only way to save the land from its blight is with the help of this strange earth boy, Bastian.

In Final Analysis, Richard Gere stars as Isaac Barr, a San Francisco psychiatrist whose alluring patient Diana Baylor (Uma Thurman) is being treated for traumatic memories. In order to find out more about her trauma, Diana suggests that Isaac speak to her sister and question her about what went on between them in the past. But when Isaac sets eyes on Diana’s sister Heather (Kim Basinger), they become involved in a torrid and steamy sex affair. Unfortunately, Heather is married to psychotic sadist Jimmy Evans (Eric Roberts).

Author Edgar Rice Burroughs once suggested that animation would be the ideal medium to bring his Tarzan to the screen, and 81 years after the first film about the famous ape-man, Disney brings us the first full-length animated film starring the King of the Jungle. After a disaster at sea causes their ship to sink off the coast of Africa, a British couple finds their way to shore with their infant son in tow. However, the parents are killed by a leopard, leaving the baby to fend for himself. The child is discovered by a gorilla named Kala (voice of Glenn Close), mate of Kerchak (voice of Lance Henriksen), the leader of the tribe of apes. While Kerchak is taken aback by the foundling and would just as soon leave him in the jungle, Kala’s maternal nature is stirred. Kala and Kerchak take the baby with them, naming him Tarzan and raising him among their own. Although Tarzan (voice of Tony Goldwyn) grows up painfully aware that he’s different from the apes, he comes to love and respect the gorillas and learns their ways, while they accept him into their tribe as he grows to adulthood. However, Tarzan’s idyllic life in the jungle is changed forever by the arrival of Professor Porter (voice of Nigel Hawthorne), his daughter Jane (voice of Minnie Driver), and their guide, a hunter named Clayton (voice of Brian Blessed). The Professor and Jane have arrived in Africa to study the wildlife in its natural habitat, although Clayton would prefer to bag as many trophies as he can. When the explorers encounter Tarzan, they at first think they’ve discovered the missing link, although soon realize that he’s as human as they are. Tarzan finds himself torn between his desire to be with his own kind (and the new, unfamiliar emotions that he feels for Jane) and his loyalties to the gorilla family that raised him — especially since Clayton sees the apes not as friends but as prey. Dominated by fast-paced jungle action sequences, Tarzan also features voices by Rosie O’Donnell and Wayne Knight, as well as new songs by Phil Collins.