Bovie Movie

A young woman discovers a terrible secret while caring for an elderly man in this supernatural thriller. Caroline (Kate Hudson) is a care provider for the aged who is hired away from the hospice where she works by Violet Devereaux (Gena Rowlands). Violet needs someone to help take care of her husband, Ben (John Hurt), who is in poor health and doesn’t have long to live. Violet and Ben live in a decaying rattletrap mansion not far from New Orleans, and as she settles into her work, Caroline spends her spare time exploring the house. It isn’t long before Caroline discovers evidence that suggests Ben and Violet are members of a sinister voodoo cult, and that ghosts walk in the Devereaux mansion. The Skeleton Key also stars Peter Sarsgaard and Joy Bryant.

A young man who has flirted with death is forced to come to terms with mortality in this tale of terror based on a story by Stephen King. Alan Parker (Jonathan Jackson) is a college student studying art at the University of Maine in 1969. Cursed with an over-active imagination, Alan constantly obsesses over the worst outcome of any situation, and when he begins to suspect his girlfriend, Jessica (Erika Christensen), is thinking of leaving him, it drives him to the brink of suicide. Shortly after this brush with death, Alan receives word that his mother, Jean (Barbara Hershey), has suffered a severe stroke and may not pull through. Alan grabs his jacket and hits the road, hoping to hitchhike the one hundred miles to the hospital. As it happens, Alan is trying to catch a ride on Halloween night, and after he’s picked up by one George Staub (David Arquette), he realizes that he’s riding the highway with a creature not of this Earth. Riding the Bullet was directed by Mick Garris, marking the fourth time the filmmaker has brought one of King’s stories to the cinema or television screen.

The sweeping, melodramatic saga of three brothers, their powerful father, and a beautiful woman, the popular period drama Legends of the Fall presents a romanticized view of rugged masculinity against lush Montana scenery. Based on a novel by Jim Harrison, the film covers decades in the lives of Alfred (Aidan Quinn), Tristan (Brad Pitt), and Samuel (Henry Thomas) Ludlow, the sons of retired military man William Ludlow (Anthony Hopkins). Raised by the unorthodox Ludlow after the departure of their mother, the boys grow up close, sharing an appreciation of the land and a pioneering spirit. The family becomes divided, however, when young Sam enlists in World War I over his father’s objections, and his brothers follow suit to protect him. Despite these efforts, Sam dies in battle, leaving Alfred and Tristan to return home and deal with the lingering torment. Further complicating matters is the presence of Sam’s beautiful fianc?e, Susannah (Julia Ormond). After Sam’s death, she attracts the romantic attention of both the responsible Alfred and the brooding Tristan, a conflict that threatens to drive the brothers apart. Aspiring to epic status, the film utilizes period detail and attractive landscapes as a backdrop for tragic, doomed romance. While some critics complained that the film resembled a romance novel writ, veering at times into the overwrought, audiences embraced the combination of emotion and grand historical scale, making the film a box-office success.

Director David Lynch crafted this hallucinogenic mystery-thriller that probes beneath the cheerful surface of suburban America to discover sadomasochistic violence, corruption, drug abuse, crime and perversion. Kyle Maclachlan stars as Jeffrey Beaumont, a square-jawed young man who returns to his picture-perfect small town when his father suffers a stroke. Walking through a field near his home, Jeff discovers a severed human ear, which he immediately brings to the police. Their disinterest sparks Jeff’s curiosity, and he is soon drawn into a dangerous drama that’s being played out by a lounge singer, Dorothy Vallens (Isabella Rossellini) and the ether-addicted Frank Booth (Dennis Hopper). The sociopathic Booth has kidnapped Dorothy’s young son and is using the child as a bargaining chip to repeatedly beat, humiliate and rape Dorothy. Though he’s drawn to the virginal, wholesome Sandy Williams (Laura Dern), Jeff is also aroused by Dorothy and in trying to aid her, he discovers his dark side. As the film nears its conclusion, our hero learns that many more indivduals are tacitly involved with Frank, including a suave, lip-synching singer, Ben (Dean Stockwell), who is minding the kidnapped boy. Director Lynch explored many similar themes of the “disease” lying just under the surface of the small town, all-American fa?ade in his later television series Twin Peaks (1990-91).