Bovie Movie

Hollywood, 1927: the silent-film romantic team of Don Lockwood (Gene Kelly) and Lina Lamont (Jean Hagen) is the Toast of Tinseltown. While Lockwood and Lamont personify smoldering passions on screen, in real life the down-to-earth Lockwood can’t stand the egotistical, brainless Lina. He prefers the company of aspiring actress Kathy Selden (Debbie Reynolds), whom he met while escaping his screaming fans. Watching these intrigues from the sidelines is Cosmo Brown (Donald O’Connor), Don’s best pal and on-set pianist. Cosmo is promoted to musical director of Monumental Pictures by studio head R. F. Simpson (Millard Mitchell) when the talking-picture revolution commences. That’s all right for Cosmo, but how will talkies affect the upcoming Lockwood-Lamont vehicle “The Dueling Cavalier”? Don, an accomplished song-and-dance man, should have no trouble adapting to the microphone. Lina, however, is another matter: put as charitably as possible, she has a voice that sounds like fingernails on the blackboard. The disastrous preview of the team’s first talkie has the audience howling with derisive laughter. On the strength of the plot alone, concocted by the matchless writing team of Betty Comden and Adolph Green, Singin’ in the Rain is a delight. But with the addition of MGM’s catalog of Arthur Freed-Nacio Herb Brown songs — You Were Meant for Me, You Are My Lucky Star, The Broadway Melody, and of course the title song — the film becomes one of the greatest Hollywood musicals ever made.

The comedy trio known as Lonely Island attempt their first feature-length comedy with Hot Rod. Andy Samberg stars as Rod Kimble, an inept would-be stuntman who believes his dad worked for daredevil Evel Knievel. His stepfather abuses him at every opportunity, but Rod keeps attempting tricks on his moped. After the stepfather becomes very ill, Rod gets the brilliant idea to attempt a stunt more dangerous that Knievel ever considered in order to raise the money to cure him. His master plan being that, after the stepfather improves, Rod will finally get his revenge and beat him in a fight.

In Death Proof — director Tarantino’s take on such peddle-to-the-metal shockers as White Line Fever — Kurt Russell stars as an engine-revving psychopath who prefers to take out his beautiful victims at 200 mph. Originally released into theaters on a double bill with Robert Rodriguez’s Planet Terror under the Grindhouse banner, Death Proof finds a group of ladies out on the town pitted against a mysterious figured named Stuntman Mike (Russell), whose vintage Dodge Charger has been partially modified to withstand even the most extreme auto collision. Though the maniacal driver himself always comes out relatively unscathed, the same certainly can’t be said for the poor young lass in his passenger seat — or anyone unfortunate enough to be on the road when the urge to kill strikes for that matter. With a list of potential road-kill candidates that includes Rose McGowan, Jordan Ladd, Rosario Dawson, and Vanessa Ferlito, Death Proof takes viewers on an adrenaline-infused drive that’s as sexy as it is shocking.

Director Barry Levinson follows up the low-budget An Everlasting Piece (2000) with another comedy, this one of the homegrown variety from former Twin Peaks (1990) TV series writer Harley Peyton. Bruce Willis stars as suave bank robber Joe, who has escaped from prison with his hypochondriac buddy Terry (Billy Bob Thornton). Together, the two men have devised a clever scheme to take a bank officer hostage the night before a heist, then simply escort the executive to work early the next morning when they clean out the vault. Their ingenious methods have led to the men becoming media darlings dubbed “the Sleepover Bandits,” but all Joe and Terry want is to make a nice pile of money before crossing the Mexican border to a life of freedom and legitimacy. Their quest gets more complicated when Terry is struck by a car driven by Kate Wheeler (Cate Blanchett), a bored housewife who’s then forced to join their crime spree. Soon both Joe and Terry are in love with Kate and she with them, realizing that the two friends put together pretty much equal the perfect man. Bandits co-stars Troy Garity, son of actress Jane Fonda.

In a land where cartoon characters and flesh-and-blood people work side by side, one little black duck lands in a big pot of trouble in this comedy, which brings the beloved Looney Tunes characters into the real world. Daffy Duck (voice of Joe Alaskey) has grown tired of his status as Warner Bros.’ leading avian second fiddle and demands that if he can’t be given equal billing with his rival Bugs Bunny (also voiced by Alaskey), he wants to be released from his contract. Kate Houghton (Jenna Elfman), Warners’ vice president in charge of comedy, is way ahead of Daffy and orders studio stuntman D.J. Drake (Brendan Fraser) to kick the duck off the studio lot. D.J. soon discovers getting rid of Daffy is no easy task, and the duck is in tow when Drake makes a startling discovery — his father Damien Drake (Timothy Dalton), a movie star best know for playing ultra-suave secret agents, really is a secret agent, and he’s been kidnapped by Mr. Chairman (Steve Martin), the evil leader of the monolithic Acme Corporation. Damien knows the secret hiding place of the priceless Blue Monkey Diamond and Mr. Chairman will stop at nothing to get it, so D.J. and Daffy set out to rescue Damien and save the diamond, one step behind Acme’s musclemen and one step ahead of Kate and Bugs, who now realize how important Daffy is to the Looney Tunes franchise. Looney Tunes: Back in Action also stars Heather Locklear as a lounge singer working for Yosemite Sam (voice of Steve Babiar), Joan Cusack, John Cleese, Stan Freberg, and Roger Corman.