Bovie Movie

The third of John Woo’s American-made feature films, Face/Off stars John Travolta as Sean Archer, an FBI agent obsessed with capturing Castor Troy (Nicolas Cage), a criminal genius who years before killed Archer’s son while trying to assassinate the agent. Archer’s single-minded pursuit of Troy has caused serious harm to his marriage, but Archer thinks the light may have appeared at the end of the tunnel when a seriously wounded Troy is captured in a bloody shootout. However, it turns out that Troy has planted a time bomb, with a biological payload that could destroy the entire city of Los Angeles — and Troy isn’t about to say where it is. The only other person who knows the bomb’s location is Troy’s brother, Pollux (Alessandro Nivola), who is no more helpful than Castor. FBI scientists hatch a plan: they have developed an experimental surgery which would allow them to graft Troy’s face temporarily on Archer’s head and allow him to question Pollux as if he were his brother. But after Archer has taken Troy’s face, Troy regains consciousness and forces the doctors to give him Archer’s face. Now the criminal mastermind has the FBI at his disposal, and the lawman is underground with few places to turn. Along with Woo’s usual elaborately choreographed action scenes, Face/Off features a number of notable supporting performances, including Joan Allen as Archer’s wife, Colm Feore and C.C.H. Pounder as FBI scientists, and Gina Gershon as Troy’s loyal but long-suffering girlfriend.

After years of wooing director John Huston via good reviews, film critic James Agee was given a chance to write the screenplay for a Huston picture. Adapted from a novel by C.S. Forester, The African Queen stars Humphrey Bogart in his Oscar-winning portrayal of Charlie Allnut, the slovenly, gin-swilling captain of a tramp steamer called the African Queen, which ships supplies to small East African villages during World War I. Katharine Hepburn plays Rose Sayer, the maiden-lady sister of a prim British missionary (Robert Morley). When invading Germans kill the missionary and level the village, Allnut offers to take Rose back to civilization. She can’t tolerate his drinking or bad manners; he isn’t crazy about her imperious, judgmental attitude. However it does not take long before their passionate dislike turns to love. Together the disparate duo work to ensure their survival on the treacherous waters and devise an ingenious way to destroy a German gunboat. The African Queen may well be the perfect adventure film, its roller-coaster storyline complemented by the chemistry between its stars. The profound difficulties inherent in filming on location in Africa have been superbly documented by several books, including one written by Katharine Hepburn. Screenwriter Peter Viertel (who worked, on an uncredited basis, on the script of this film - assisting with some of the dialogue) incorporated some of the African Queen anecdotes in his roman a clef about a Huston-like director/adventurer, White Hunter, Black Heart.

The fourth film in the Alien series, directed by Jean-Pierre Jeunet (Delicatessen, The City of Lost Children) at a cost of 70 million dollars, takes place aboard an immense ship, the Auriga, where General Perez (Dan Hedaya) heads a staff of seven science officers and 42 enlisted, all employed by United Systems Military (replacing the Company of the earlier films). The time is 200 years after the events of Alien 3. Scientists researching the aliens need hosts, and they rely on space mercenaries who make spacecraft raids to acquire bodies. The research requires an Alien Queen specimen, so Ellen Ripley (Sigourney Weaver) has been cloned from preserved blood samples. The scientific team then removes the baby Alien Queen from Ripley’s chest. Since the Ripley clone has alien DNA mixed into her genetic structure, she is not totally human. Later, a commercial freighter, the Betty, arrives with a crew of mercenaries — Elgyn (Michael Wincott), pilot Hillard (Kim Flowers), paralyzed mechanic Vriess (Dominique Pinon), space jock Johner (Ron Perlman), and junior mechanic Annalee Call (Winona Ryder) — who deliver a load of human hosts with alien eggs. Problems begin when the mercenaries take over the Auriga, and aliens escape to massacre humans. As the aliens attack, Ripley and the mercenaries try to reach the Betty in order to escape. Cinematography by Darius Khondji features the same ENR process he used on Seven, adding silver to the printing process to heighten contrasts, making the dark colors richer. An electric-blue tint was employed during the underwater firefight between the mercenaries and the aliens. For the more physical aspects of her role, Ryder got in shape with six hours of daily workouts. Although all previous films in the series were shot at London’s Pinewood Studios, filming of Alien Resurrection took place West Los Angeles soundstages with special effects in California and Paris.

New Yorkers get a crash course in the more dangerous aspects of moving to the country and buying a “handyman’s special” in this thriller from award-winning director Mike Figgis. Cooper and Leah Tilson (Dennis Quaid and Sharon Stone) are a wealthy couple who have grown tired of the high stress of life in New York City and are looking to move to someplace with more breathing room. Upstate, they find a mansion in the village of Cold Creek which has fallen into disrepair after it was repossessed. Convinced the house has great possibilities, The Tilsons buy it, and with a little hard work Cooper, Leah, and their two children are soon living in their dream home. Unknown to The Tilsons, the house used to belong to a lifelong Cold Creek resident named Dale Massie (Stephen Dorff), a ne’er-do-well who ended up behind bars. After he’s released from prison, Massie makes it clear to the new owners that he wants his home back, and before long Cooper and Leah begin learning the disturbing truth about the history of the mansion — and that many Cold Creek residents don’t take kindly to new arrivals. Cold Creek Manor also stars Juliette Lewis and Christopher Plummer.

Set amidst the controversy of the handover of the Panama Canal from Panama to America in late 1999, this espionage thriller follows seductive British spy Andrew Osnard (Pierce Brosnan), who has found himself recently banished to Panama. When Osnard stumbles into a tailor shop, he meets Harry Pendel (Geoffrey Rush), a garrulous sort with an unmatched penchant for “fluence” — that is, fabricating wild tales with real-life details. Osnard threatens to expose his shady past, until Pendel agrees to provide him with information about the political situation in Panama. Pendel’s wife Louisa (Jamie Lee Curtis) tries to remain unscathed by her husband’s constant follies, which escalate and put him in the midst of international discord, while also threatening the shaky relationship between himself and Osnard, who cannot escape each other’s grasp. Based on John le Carr?’s popular 1996 novel, the film also features Catherine McCormack, David Hayman, and young Daniel Radcliffe, who completed this film before his starring role in Harry Potter and the Sorcerer’s Stone, released later in the year.

The sophomore film from former music video and commercial director Michael Bay, this fast-paced action yarn featured rapid-fire editing, a cutting-edge rock soundtrack and liberal use of shots awash in a haze of burnished hues, all trademarks of producers Don Simpson and Jerry Bruckheimer. Nicolas Cage stars as Stanley Goodspeed, an FBI chemical weapons expert handed a unique assignment. Francis X. Hummel (Ed Harris), an insane Marine Corps general, has taken 81 tourists hostage on the abandoned island prison of Alcatraz. He and his men are threatening to bomb San Francisco with deadly gas unless $100 million is paid in war reparations to the families of servicemen killed in covert operations. Goodspeed is teamed with former British spy John Patrick Mason (Sean Connery), the only man ever to escape “The Rock,” as well as a Navy SEAL team. When their military escorts are ambushed, it’s up to odd couple Goodspeed and Mason to break into Alcatraz and stop Hummel. The Rock was the last film produced by Simpson, who died of a drug overdose before the film’s release. Solo, his partner Bruckheimer continued making the sort of glossy, frenetic films for which the duo was famed.

Tony Curtis stars as The Great Leslie, a hero among heroes whose purity of heart is manifested by his spotlessly white wardrobe. Leslie’s great rival, played by Jack Lemmon, is Professor Fate, a scowling, mustachioed, top-hatted, black-garbed villain. Long envious of Leslie’s record-setting accomplishments with airships and sea craft, Professor Fate schemes to win a 22,000-mile auto race from New York City to Paris by whatever insidious means possible. The problem is that Fate is his own worst enemy: each of his plans to remove Leslie from the running (and from the face of the earth) backfires. Leslie’s own cross to bear is suffragette Maggie Dubois (Natalie Wood), who also hopes to win the contest and thus strike a blow for feminism. The race takes all three contestants to the Wild West, the frozen wastes of Alaska, and, in the longest sequence, the mythical European kingdom of Carpania. This last-named country is the setting for a wild Prisoner of Zenda spoof involving Professor Fate and his look-alike, the foppish Carpanian king. When Leslie and Fate approach the finish line at the Eiffel Tower, Leslie deliberately loses to prove his love for Maggie. Professor Fate cannot stand winning under these circumstances, thus he demands that he and Leslie race back to New York. The supporting cast includes Peter Falk as Fate’s long-suffering flunkey Max, Keenan Wynn as Leslie’s faithful general factotum, Dorothy Provine as a brassy saloon singer, Larry Storch as ill-tempered bandit Texas Jack, and Ross Martin as Baron Von Stuppe. The film also yielded a hit song, Henry Mancini and Johnny Mercer’s The Sweetheart Tree. The Great Race was dedicated to “Mr. Laurel and Mr. Hardy”.

Sylvain White’s horror sequel I’ll Always Know What You Did Last Summer concerns four friends who decide to keep it to themselves after they see a mutual friend die during a dangerous stunt. One year after the incident, all four friends are getting scary messages from somebody who seems to know the group’s secret.

Two low-level American crooks head to Australia, where they match wits with a kangaroo (who appears to have an intellectual edge on his pursuers) in this broad comedy. Charlie Carbone (Jerry O’Connell) is a hairdresser from Brooklyn whose best friend, Louis Booker (Anthony Anderson), scrapes together a living moving stolen merchandise. Charlie’s stepfather, Sal Maggio (Christopher Walken), is a crime kingpin who has loaned Charlie a lot of money and wants to know when he’ll get it back; Sal’s not especially fond of Louis, especially after he and Charlie accidentally lead the police to a storehouse of burgled goods owned by Sal. Charlie owes Sal a big favor, and Sal wants Charlie and Louis out of his hair for a while, so Sal sends them to Australia, where they’re to deliver a large amount of cash to a mysterious Mr. Smith (Marton Csokas). En route to their meeting in the outback, Charlie and Louis accidentally run over a kangaroo, and the half-bright tourists decide to dress the dead marsupial in sunglasses and Louis’ favorite jacket for snapshots. However, the animal wasn’t as dead as they imagined, and it soon hops away, shortly after Louis realizes the payment to Mr. Smith was in the pocket. Now Louis and Charlie are out to find the fast-moving critter, with the help of Jessie (Estella Warren), a wildlife expert; Mr. Jimmy (David Ngoombujarra), a wilderness guide; and Blue (Bill Hunter), a pilot familiar with the outback.

Retired after years of international espionage, Agent 007 is lured back into action to battle the evil spy organization SMERSH in this notoriously incoherent parody of the James Bond films. David Niven portrays the aging Bond, who atypically rejects the advances of a variety of women, and agrees to battle SMERSH’s hold on the lavish Casino Royale only after organization head M is murdered. Also mixed up in the affair are several other secret agents, all named James Bond, played by everyone from Peter Sellers and Woody Allen to a chimpanzee. Despite a star-studded cast, a large production budget, and a hit score by Burt Bacharach, the film was universally panned as a muddled, overlong failure, with the occasional amusing sequence lost in the unintelligible surroundings. The participation of several screenwriters and five different directors, including John Huston, only adds to the confusion.