Bovie Movie

Director Terry Gilliam adroitly applies his Monty Python sensibilities upon the “career” of famed German prevaricator Baron von Munchausen. Played herein by John Neville, the baron is seen quelling a war that he himself started, flying into the stratosphere on the back of a cannonball, ballooning to the moon, exploring the innards of a volcano, being swallowed by a whale….In short, all of Munchausen’s fabulous lies are here presented as “truth,” played out in full view of nonplussed witnesses Eric Idle, Charles McKeown, Jack Purvis, and Sarah Polley. Fringe benefits include several loving medium shots of jaybird-naked Uma Thurman as Boticelli’s Venus and an extended unbilled cameo by Robin Williams — that is, by the head of Robin Williams — as the King of the Moon. Filmed under considerable duress on a budget eventually exceeding 45 million dollars, The Adventures of Baron Munchausen never quite caught on with moviegoers, though it has enjoyed a lucrative afterlife on videocassette.

Robin Hood, Douglas Fairbanks’ biggest (though not necessarily best) production of the silent era, represents the first time that many familiar of the elements of the Robin Hood legend were presented on screen. To bring the project to full fruition, Fairbanks and his wife Mary Pickford purchased the old Jesse Hampton studio in Santa Monica, and on that site constructed a near-lifesized replica of 12th century Nottingham. The humongous castle set was so awesome that Fairbanks became worried that his own performance might be dwarfed. It wasn’t: take our word for it. When first we meet Robin Hood, he is still the Earl of Huntington, preparing to joust with his bitter enemy Sir Guy of Gisbourne (Paul Dickey). Despite Sir Guy’s propensity for cheating, the Earl is victorious. Shortly thereafter, Huntington rides off to the crusades with Richard the Lionhearted (Wallace Beery). Upon learning that Prince John (Sam De Grasse), goaded on by Sir Guy, has usurped his brother Richard’s throne, Huntington returns to Nottingham in a new guise: dashing righter-of-wrongs Robin Hood. While robbing from the rich, giving to the poor, and bedevilling the villains, Robin romances the fetching Maid Marian (Enid Bennett). The film’s singular highlight is Fairbanks’ slide down a two-story tapestry, a bit of bravado accomplished by hiding a playground slide behind the huge cloth. As in all of Fairbanks’ films, Charlie Stevens, a grandson of Geronimo and Doug’s “mascot”, appears in several minor roles. Also appearing is Alan Hale Sr. as Little John, a role he’d repeat in the 1938 Errol Flynn Robin Hood, not to mention the 1950 swashbuckler Rogues of Sherwood Forest. Long thought lost, Douglas Fairbanks in Robin Hood (as the film was so copyrighted) was rediscovered in the early 1960s. Most current prints fail to do justice to Arthur Edeson’s glistening photography; also, some versions are stretch-framed to slow down the action to “normal” speed, a process that retards the marvelously fast pace instilled by star Fairbanks and director Allan Dwan. We recommend that you seek out a good-quality, tinted print of Robin Hood, processed at the slightly faster-than-life speed at which it was originally filmed.

Director Peter Weir’s first turn behind the camera since 1998’s critically acclaimed The Truman Show, Master and Commander: The Far Side of the World is based on two Napoleanic War-era adventure novels in author Patrick O’Brian’s Aubrey/Maturin series, Master and Commander and The Far Side of the World. Russell Crowe stars as Captain Jack Aubrey, a high-seas adventurer who maintains a strong bond with ship-surgeon Stephen Maturin (Paul Bettany). After conquering much of Europe already, Napoleon’s forces have set their sights on taking Britain, so Aubrey and the crew of his ship, the HMS Surprise, take to the Pacific to intercept any attacking ships from the French fleet. When Aubrey eyes a renegade French super-frigate, the Surprise pursues, leading to an adrenaline-charged chase through the distant reaches of the sea. Edward Woodall, James D’Arcy, and Lee Ingleby also star as members of the Surprise’s crew.

A band of renegades on the run in outer space get in more hot water than they anticipated in this sci-fi action-adventure adapted from the television series Firefly. In the 26th century, the galaxy has been colonized by a military force known as the Alliance, but its leadership has not gone unquestioned. The Alliance was once challenged by a league of rebels known as the Independents, but the Alliance emerged victorious after a brutal civil war, with the surviving Independents scattering around the galaxy. Also wandering the edges of the galaxy are the Reavers, who have won few allies due to their violent behavior and habit of ripping apart their enemies and eating them before they’re dead. Capt. Malcolm “Mal” Reynolds (Nathan Fillion), who fought as an Independent in the galactic war, is the head of Serenity, a rogue frieghter ship whose crew includes Mal’s first mate, Zoe (Gina Torres), who fought alongside him in the war, her husband, hotshot pilot Wash (Alan Tudyk), sunny but dependable mechanic Kaylee (Jewel Staite), and hard-nosed gunman Jayne (Adam Baldwin). The crew of Serenity wander the galaxy, taking on whatever work they can get, from criminal activities like smuggling and stealing to legitimately offering transport to travelers. Passengers aboard Serenity include professional “companion” Inara (Morena Baccarin) and holy man Shepherd Book (Ron Glass), but the real trouble aboard the ship comes with the arrival of Simon (Sean Maher) and his teenage sister, River Tam (Summer Glau). In time, the crew discovers that River has remarkable psychic powers and was being held captive by Alliance forces until Simon came to her rescue. Now the Alliance is hot on the heels of Serenity and its passengers, with The Operative (Chiwetel Ejiofor), a sinister Alliance tracker, leading the chase. Serenity was written and directed by Joss Whedon (in his directorial debut), creator of Firefly, which only lasted 11 weeks on the air but gained a powerful cult following who rallied to get the show released on DVD after its cancellation, leading to impressive home-video sales and and an eventual motion picture deal. A couple of months prior to Serenity’s theatrical release, reruns of Firefly were picked up by the Sci-Fi channel, adding even more fans to its cult following.

Based on the comic book miniseries by Alan Moore, The League of Extraordinary Gentlemen takes place in an alternate universe where the characters of several literary classics exist in reality. As if that weren’t enough, they’ve been assembled together in 1900 by Queen Victoria as a team of evil-fighting heroes. Among them are Allan Quatermain (Sean Connery) from H. Rider Haggard’s King Solomon’s Mines; Mina Harker (Peta Wilson) from Bram Stoker’s Dracula; Tom Sawyer (Shane West) from several works by Mark Twain; Dorian Gray (Stuart Townsend) from Oscar Wilde’s The Picture of Dorian Gray; Captain Nemo (Naseeruddin Shah) from Jules Verne’s 20,000 Leagues Under the Sea; The Invisible Man (Tony Curran) from H.G. Wells book of the same name; and several others. Working together, the odd assortment of characters must combine their powers to defeat a mysterious villain and save the world from certain destruction. Directed by Stephen Norrington (Blade), The League of Extraordinary Gentlemen also stars Jason Flemyng, Tom Goodman-Hill, and David Hemmings.

Put down that 24-sided die and return to the fantastic world of Dungeons & Dragons in this magical adventure from director Gerry Lively. A black dragon has gone on a rampage, but this is no ordinary dragon. Controlled from afar by an evil wizard using a magical orb, this dragon can only be defeated by defeating its nefarious master. As a sorceress and a warrior combine their strength to journey to the wizard’s castle and put an end to the black dragon’s reign of terror, the road to peace is filled with deadly obstacles at every turn.

Director Mark L. Lester modeled this police action drama on the Hong Kong style, guaranteeing plenty of over-the-top action sequences. Dolph Lundgren stars as police detective Chris Kenner, an American raised in Japan. He is given a new partner, Johnny Murata (Brandon Lee, making his Hollywood debut), a Japanese raised in America. The two are made for each other — Chris doesn’t appreciate American culture, while Johnny doesn’t much like Japanese culture. One thing they both enjoy are the martial arts, of which they are experts. The two are assigned to L.A.’s Little Tokyo, trying to nab the notorious Yoshida (Carey-Hiroyuki Tagawa), a drug manufacturer using a local brewery as his distribution center. Yoshida, a member of the Yakuza, has brought the residents of Little Tokyo to their knees. But Chris has personal reasons for wanting to get Yoshida — as a child he witnessed Yoshida murdering his parents. When Yoshida rapes and kidnaps Minako (Tia Carrere), a beautiful lounge singer, it’s the last straw and Chris and Johnny set out for Yoshida’s heavily guarded home for a big showdown.

Despite the use in this film of voices dubbed by greats of English theater, the casting of long-haired cats to play the roles of Romeo and Juliet seems somewhat perverse. Nonetheless, the lines are well read, and the movie contains some fine original musical compositions. Among the voices: Maggie Smith, Ben Kingsley, Vanessa Redgrave, and John Hurt.

This lavish big-budget epic was the pinnacle of a uniquely Italian subgenre, the historical hardcore gore/porn extravaganza. The star-studded cast, perhaps lured by the high-profile involvement of producer Bob Guccione and screenwriter Gore Vidal, includes such luminaries as John Gielgud, Peter O’Toole, and Helen Mirren. Director Tinto Brass, whose similar treatment of Nazi Germany in Salon Kitty won him the job, did his best with the mammoth enterprise, but numerous production problems and re-edits took their toll on the finished product. When Caligula works best, it works because of Malcolm McDowell, whose crazed portrayal of the title Emperor is the embodiment of villainous corruption. McDowell raises his performance level to match the gaudy spectacle around him, which led to charges of overacting, but there are moments when he is absolutely riveting. Some of the cast doesn’t fare as well, as O’Toole makes a particularly unsubtle Tiberius. The sex is graphic and steamy, particularly a feverish lesbian interlude between Penthouse Pets Lori Wagner and Marjorie Thorsen (using the pseudonym “Anneka di Lorenzo”), and the various carnival freaks used as atmosphere imbue the film with a grotesque, Fellini-like opulence. There are many memorable scenes and a magnificent score by Paul Clemente, but the heady brew of historical epic, hardcore sex, and gory violence proved overwhelming to many viewers. Still, Gore Vidal’s script is surprisingly accurate, and manages to be entertainingly vulgar while bringing a rather loathsome slice of human history to vivid life, warts and all. The more explicit scenes were directed by Bob Guccione and Giancarlo Lui, causing both Vidal and Brass to remove their names from the credits.

Outrageously violent, time-twisting, and in love with language, Pulp Fiction was widely considered the most influential American movie of the 1990s. Director and co-screenwriter Quentin Tarantino synthesized such seemingly disparate traditions as the syncopated language of David Mamet; the serious violence of American gangster movies, crime movies, and films noirs mixed up with the wacky violence of cartoons, video games, and Japanese animation; and the fragmented story-telling structures of such experimental classics as Citizen Kane, Rashomon, and La jet?e. The Oscar-winning script by Tarantino and Roger Avary intertwines three stories, featuring Samuel L. Jackson and John Travolta, in the role that single-handedly reignited his career, as hit men who have philosophical interchanges on such topics as the French names for American fast food products; Bruce Willis as a boxer out of a 1940s B-movie; and such other stalwarts as Harvey Keitel, Tim Roth, Christopher Walken, Eric Stoltz, Ving Rhames, and Uma Thurman, whose dance sequence with Travolta proved an instant classic.