Bovie Movie

The volatile showdown between a determined cop and a perfectionist bank robber is sent spiraling toward disaster when a scheming power broker steps in to take control of the situation in this hair-raising heist flick directed by Spike Lee and starring Denzel Washington, Clive Owen, and Jodie Foster. Dalton Russell (Owen) is a bank robber with a difference. In his quest to execute the perfect heist, Dalton has taken every possible factor into consideration. Dalton’s uncanny ability of staying one step ahead of the law thwarts even-tempered Detective Keith Frazier’s (Washington) best efforts. But there’s another factor at play. The bank president (Christopher Plummer) has requested the services of high-profile negotiator Madeline White (Foster). Despite her commendable track record, Madeline is something of a wild card, and before the day is over, this bank robbery will go down in history as one of the most elaborate heists ever executed.

Brian De Palma blends the emotional netherworld of film noir with a stylish portrayal of life among the wealthy and powerful in Paris in this glossy thriller. Laure Ash (Rebecca Romijn-Stamos) is a beautiful but mysterious woman who has aligned herself with a small ring of jewel thieves, led by a man known as Black Tie (Eriq Ebouaney), who has planned a major score during the Cannes Film Festival. Sexy model Veronica (Rie Rasmussen) is scheduled to make a spectacular entrance for the screening of director Regis Wargnier’s picture, wearing a body-hugging piece of jewelry worth a cool ten million dollars. Laure approaches the sexually adventurous Veronica and is able to seduce her, while at the same time stealing her diamond-studded outfit and replacing it with a carefully constructed counterfeit. Veronica, however, also makes off the loot without giving her partners their cut, and must go into hiding in order to avoid the wrath of Black Tie and his cohorts. Fate allows Laure to make her way to the United States, where in time she marries a powerful politician. Photographer Nicolas Bardo (Antonio Banderas), however, had snapped a picture of Laure while she was on the lam years before, and when he takes an assignment to get a photo of the camera-shy woman, Laure realizes Nicolas is in a position to reveal her new identity to the world — and put the bloodthirsty Black Tie back on her trail.

The Bold Ones was the umbrella title given a group of rotating hour-long TV series, which ran from 1969 to 1973. Joining established Bold Ones components The Doctors and The Lawyers in 1970 was The Senator, starring Hal Holbrook as RFK-like Senator Hays Stowe. The pilot for The Senator was A Clear and Present Danger, which first aired March 21, 1970. In this 2-hour “problem drama”, Senator Stowe tackles the issue of air pollution after a close friend dies of emphysema. The Emmy-nominated Hal Holbrook, Sharon Acker (as Erin Stowe) and Cindy Eilbacher (as Norma Stowe) carried their roles over to the “Senator” series proper, while Michael Tolan was cast as Stowe’s aide Jordan Boyle, the role played in A Clear and Present Danger by Joseph Campanella.

Douglas McGrath’s Infamous represents the second major biopic about the avant-garde belletrist Truman Capote to be released within a year. It thus tells roughly the same story as Bennett Miller’s earlier Capote, recounting the events that belied the writer’s six-year authorship of the seminal “nonfiction novel” In Cold Blood. The story opens with Capote (Toby Jones) visiting the site of the 1959 Clutter family homicide, on a Kansas research trip, accompanied by his close friend and colleague, author Harper Lee (Sandra Bullock). As Capote settles into the community, McGrath uses the preponderance of screen time to explore the emotional tapestry of Capote’s increasingly risky emotional attachment to one of the two murderers, Perry Edward Smith (Daniel Craig), with whom he senses more than a few common bonds. McGrath weaves a decidedly bittersweet tale, contrasting the optimism and devil-may-care, “conquer all” attitude of Capote in his early years with a seemingly endless string of poor choices in the writer’s later years, from addictions to drink and pills, to a failure to maintain healthy output as a writer, to poorly chosen romantic and sexual entanglements. Most significantly, however, McGrath reveals how the relationship with Smith virtually destroyed Capote as an artist and a human being, by inducing him to sell out on all levels to satisfy his lust for accomplishment and notoriety.

This high-octane semi-sequel to Sam Raimi’s cult hit The Evil Dead has nearly eclipsed its predecessor’s reputation thanks to an endless barrage of hyperkinetic camera acrobatics, rapid-fire editing and “splatstick” gore effects … not to mention a truly goofy performance by Bruce Campbell. Nearly the entire storyline of the previous film has been re-shot and presented in a drastically condensed form within the first few minutes: rock-jawed but clueless “hero” Ash (Campbell) now visits the mountain cabin only with girlfriend Linda (played here by Denise Bixler). Upon arrival at the cabin, Ash discovers the Sumerian Book of the Dead, the ritual dagger and a reel-to-reel tape containing the professor’s translations of the book’s hieroglyphics. The incantations summon an unseen, growling spirit from within the woods, which bursts into the cabin and takes possession of Linda’s soul. Ash is forced to decapitate her with a shovel, after which he buries her in the forest. At first dawn, Ash tries to make his escape, but is promptly set upon by the spirits, given a solid thrashing and nearly possessed himself, saved only by the arrival of sunlight. Cut off from the outside world, Ash is forced to hole up in the cabin and wait for the next demonic onslaught — which arrives sooner than expected, led by Linda’s rotting corpse. After being bitten by Linda’s chatty decapitated head, Ash’s hand becomes independent of his body and begins pummeling him repeatedly. The story then jumps to a local airport, where the professor’s daughter Annie (Sarah Berry) and her partner Ed Getley (Richard Domeier) have just arrived with the missing pages to the Necronomicon. They employ a cranky pair of local rednecks, Jake (Dan Hicks) and Bobbie Joe (Kassie Wesley), as guides to lead them through the dense woods to the cabin … where, at that very moment, Ash is removing his belligerent hand with a chainsaw, creating yet another ambulatory foe. Driven to the brink of insanity, Ash fires blindly at a noise outside, unaware that the new arrivals are Annie and company. Bobbie Joe is injured by the gunshot, which incurs the wrath of Jake, who knocks Ash senseless and locks him in the fruit cellar. Believing her father was murdered by Ash, Annie plays the rest of the professor’s recording to learn the truth, and discovers her possessed mother was buried in the same cellar — and not exactly resting in peace. This touches off a string of unbelievably gruesome (and hysterically funny) events, including Henrietta’s transformation into a stop-motion creature (reminiscent of a Ray Harryhausen creation), Ed’s sudden metamorphosis into a toothy, levitating ghoul, and Ash’s climactic confrontation with the forest demon itself. The obvious glee with which Raimi and company present this cavalcade of slime-drenched monstrosities and Three Stooges pratfalls makes it impossible to take seriously as a horror film, but Evil Dead 2 is nevertheless essential viewing among connoisseurs of truly demented cinema. The film’s sardonic coda opened the way for a slightly less successful sequel, Army of Darkness.

Jigsaw, the diabolical criminal who captured the imagination of horror fans in the 2004 hit Saw, returns in this equally bloody sequel. Eric Matthews (Donnie Wahlberg) is a police detective who, after discovering the aftermath of a particularly gruesome murder, is convinced that Jigsaw (Tobin Bell) is up to his ugly tricks again. Matthews’s hunch turns out to be correct, but the master criminal proves to be disconcertingly easy to capture. As it happens, Jigsaw is eager to be put behind bars in order to throw the authorities off his trail as he once again punishes people who in his eyes have transgressed the boundaries of acceptable moral behavior. But instead of trapping two people in a filthy dungeon where they must engage in a terrible contest in order to win their freedom, eight people have been locked away by Jigsaw, and they must torture their bodies and minds to achieve the terrible justice Jigsaw seeks. Saw II was written by Leigh Whannell, who also scripted the first film.

Second-billed Marilyn Monroe is the blonde in question in this second film version of Gentlemen Prefer Blondes: Miss Lorelei Lee, whose philosophy is “diamonds are a girl’s best friend.” Together with her best human friend Dorothy (top-billed Jane Russell), showgirl Lorelei embarks upon a boat trip to Paris, where she intends to marry millionaire Gus Esmond (Tommy Noonan). En route, the girls are bedeviled by private detective Malone (Elliot Reid), hired by Esmond’s father (Taylor Holmes) to make certain that Lorelei isn’t just another gold-digger. When Dorothy falls in love with the poverty-stricken Malone, Lorelei decides to find her pal a wealthier potential husband, and that’s how she gets mixed up with flirtatious diamond merchant Sir Francis Beekman (Charles Coburn) and precocious youngster Henry Spofford III (George “Foghorn” Winslow). Most of the Leo Robin-Jule Styne songs from the Broadway show remain intact, including Marilyn Monroe’s rendition of “Diamonds are a Girl’s Best Friend,” a production number later imitated by pop icon Madonna.

In this black comedy, a criminal discovers a market for murder in the suburbs. After doing time in prison, mobster Jimmy the Tulip (Bruce Willis) moves to a suburban neighborhood. But Jimmy’s new neighbors (Rosanna Arquette and Matthew Perry) soon figure out who he is.

This haunted house chiller is the second feature from Dark Castle Entertainment, the mid-budget outfit put together in 1999 to remake the cheesy horror genre pictures of William Castle by his daughter, Terry Castle, and producers Gilbert Adler, Robert Zemeckis, and Joel Silver. Financially ravaged and widowed by a fire that is consuming him with guilt, Arthur Kriticos (Tony Shalhoub) is left to raise two kids on his own: beautiful teenager Kathy (Shannon Elizabeth) and grade school student Bobby (Alec Roberts). Good news suddenly drops into their lives when a lawyer visits and reveals that they have inherited a lavish home from a late uncle, Cyrus (F. Murray Abraham), an eccentric ghost hunter. The Kriticos family moves into the remote house only to discover its odd secret: the dwelling contains a state-of-the-art, elaborate system of moving glass walls that trap spirits inside. Soon the ghosts, which can only be seen through the use of special high-tech spectacles, are loose in the elaborate contraption and are none too thrilled about their predicament. With the exits sealed, the family members try to learn the secret of Uncle Cyrus’ bizarre mansion and survive supernatural assaults with the help of sassy housekeeper Maggie (Rah Digga), neurotic psychic Rafkin (Matthew Lillard), and Kalina (Embeth Davidtz), an activist championing the civil rights of ghosts. The eyeglasses through which the spirits can be viewed in Thirteen Ghosts (2001) were part of a ballyhoo gimmick involving pairs of spectacles handed out to audiences for screenings of the 1960 original, which was presented in “Illusion-O.”

John Hughes and Chris Columbus repeat their best-selling formula from the first Home Alone film with this sequel. Once again Kevin McCallister’s (Macaulay Culkin) family leave him behind, only now he gets on a flight to New York instead of going with his family to Miami. Kevin manages to hail a cab and is delivered to the doorsteps of the Plaza Hotel, where, using his father’s credit card, he rents out a suite and has the time of his life — although a smarmy hotel clerk (Tim Curry) and bellboy (Rob Schneider) eye him with suspicion. But ingenious Kevin keeps them at bay, using the same tomfoolery he applied to his uncle in the first picture. He takes time out from his consumer debauch to chat with a friendly old toy-store magnate (Eddie Bracken) and pontificate to a homeless Pigeon Lady (Brenda Fricker) on the meaning of Christmas. But then he runs into his old enemies Harry (Joe Pesci) and Marv (Daniel Stern).When he finds out that they plan on robbing the old man’s toy store on Christmas Eve, he mans the battle stations once again, complete with electric prods, flames of fire, and sundry blunt instruments.