Bovie Movie

Director Alex Proyas (Dark City, The Crow) helmed this sci-fi thriller inspired by the stories in Isaac Asimov’s nine-story anthology of the same name. In the future presented in the film, humans have become exceedingly dependent on robots in their everyday lives. Robots have become more and more advanced, but each one is preprogrammed to always obey humans and to, under no circumstances, ever harm a human. So, when a scientist turns up dead and a humanoid robot is the main suspect, the world is left to wonder if they are as safe around their electronic servants as previously thought. Will Smith stars as Del Spooner, the robot-hating Chicago cop assigned to the murder investigation. Bridget Moynahan, Bruce Greenwood, James Cromwell, and Chi McBride also star.

Big-budget special effects, swiftly paced action, and a distinct feminist subtext from writer/director James Cameron turned what should have been a by-the-numbers sci-fi sequel into both a blockbuster and a seven-time Oscar nominee. Sigourney Weaver returns as Ellen Ripley, the last surviving crew member of a corporate spaceship destroyed after an attack by a vicious, virtually unbeatable alien life form. Adrift in space for half a century, Ripley grapples with depression until she’s informed by her company’s representative, Carter Burke (Paul Reiser) that the planet where her crew discovered the alien has since been settled by colonists. Contact with the colony has suddenly been lost, and a detachment of colonial marines is being sent to investigate. Invited along as an advisor, Ripley predicts disaster, and sure enough, the aliens have infested the colony, leaving a sole survivor, the young girl Newt (Carrie Henn). With the soldiers picked off one by one, a final all-female showdown brews between the alien queen and Ripley, who’s become a surrogate mother to Newt. Several future stars made early career appearances in Aliens (1986), including Lance Henriksen, Bill Paxton, and Reiser.

A space bum helps rescue a princess from an evil overlord with the help of a benevolent elder in this Star Wars send-up written and directed by Mel Brooks. Lone Starr (Bill Pullman) and his half-man, half-dog co-pilot, Barf the Mawg (John Candy), are content to scour the galaxy living the easy life. But they reluctantly come to the rescue when Druish Princess Vespa (Daphne Zuniga) is threatened by the evil Lord Dark Helmet (Rick Moranis), who wants to steal all of the air from her planet, Druidia. Trapped on a harsh desert world with Vespa and her robot chaperone, Dot Matrix (voice of Joan Rivers), Lone Starr and Barf are helpless to prevent Helmet from kidnapping the girl. But assistance arrives in the form of Yogurt (Brooks), a wizard who turns Lone Starr on to a mysterious power known as The Schwartz. Catching up with Helmet just as he’s transforming his spaceship into a giant vacuum cleaner in orbit around Druidia, the reluctant heroes stage a dramatic showdown. Although it borrows most of its plot from the Star Wars series, Spaceballs also pokes fun at Star Trek, Snow White, and Planet of the Apes — as well as the entire videocassette and movie marketing industries. The large supporting cast includes Dick Van Patten, Jim J. Bullock, and the voice of Dom DeLuise. John Hurt makes a cameo in a parody of the exploding chest scene he played in Alien.

When wireless technology puts humans into contact with an unstoppable force that’s determined to claim the lives of the living for the souls of the damned, it’s up to a group of determined teens to close the gate before it’s too late in director Jim Sonzero’s remake of Kiyoshi Kurosawa’s apocalyptic horror classic. A doorway between the human realm and the spiritual realm has been opened, and now the technology that once made humankind the ruler of the planet has become its digital Achilles heel. With every call made and every e-mail checked, life is slowly being stolen from the living and claimed for the dead. With no way of turning off the connection and no means of reasoning with a force they cannot understand, a desperate group of college students must discover a means of stopping the takeover before the entire planet is transformed into a cosmic haunting ground for wayward souls in search of a home.

After a long career playing good guys, Sean Connery gets to have some fun playing a crook for a change in the romantic crime thriller Entrapment — and he even gets to break the law with the lovely Catherine Zeta-Jones. When a priceless Rembrandt painting is stolen from a New York skyscraper in a daring and technically sophisticated robbery, ace insurance investigator Virginia “Gin” Baker (Catherine Zeta-Jones) begins looking into the matter and is soon convinced it’s the work of master art thief Robert “Mac” MacDougal (Sean Connery). Gin thinks the best way to get the goods on Mac (and perhaps recover the painting) is to work her way inside his operation, so she locates him in London and, posing as a fellow art thief, offers to work as his partner. While Mac is smart enough to not accept an offer like that from just anyone, most thieves don’t look as good as Gin does in a leotard, and she soon proves an able assistant in a shakedown robbery where they pinch a rare Chinese mask from a British museum. After this success, Mac agrees to join forces with Gin for what is literally the heist of the millenium — as Midnight rolls around in Kuala Lumpur on December 31, 1999, the security computers in a major multinational banking facility will be breached for a split second as the computers roll over to a new program for Y2K. Is that long enough for Gin and Mac to nab $8 billion in bank transfers? Is 14 days long enough to prepare for a robbery of this scale? And will Mac and Gin’s professional relationship pave the way for some capers in the bedroom? In addition to playing the male lead, Sean Connery also co-produced this film; the supporting cast includes Ving Rhames and Maury Chaykin.

“In space, no one can hear you scream.” A close encounter of the third kind becomes a Jaws-style nightmare when an alien invades a spacecraft in Ridley Scott’s sci-fi horror classic. On the way home from a mission for the Company, the Nostromo’s crew is woken up from hibernation by the ship’s Mother computer to answer a distress signal from a nearby planet. Capt. Dallas’ (Tom Skerritt) rescue team discovers a bizarre pod field, but things get even stranger when a face-hugging creature bursts out of a pod and attaches itself to Kane (John Hurt). Over the objections of Ripley (Sigourney Weaver), science officer Ash (Ian Holm) lets Kane back on the ship. The acid-blooded incubus detaches itself from an apparently recovered Kane, but an alien erupts from Kane’s stomach and escapes. The alien starts stalking the humans, pitting Dallas and his crew (and cat) against a malevolent killing machine that also has a protector in the nefarious Company.

Ang Lee directs the live-action feature film The Hulk, based on the Marvel comic book created by Stan Lee and illustrated by Jack Kirby. Emotionally stunted Dr. Bruce Banner (Eric Bana) is part of a research team at the University of California at Berkeley. Corporate hustler Glenn Talbot (Josh Lucas) takes notice of the lab and makes plans to take it over. Then Bruce accidentally gets hit by an experimental ray and grows into a huge beast, destroying the lab in the process. A creepy janitor who claims to be his real father, Dr. David Banner (Nick Nolte), starts to secretly use the experimental ray on himself. He creates some mutant dogs and sends them after Bruce’s lab mate and ex-girlfriend Betty Ross (Jennifer Connelly). After Bruce saves her life in the form of the Hulk, she lets her distant father, General Ross (Sam Elliott), take him to an abandoned army base in the desert. However, Glenn Talbot takes over the operation and wants to patent the creature’s superpowers for his own profit, so he holds Bruce unconscious in an isolation tank. When provoked, Bruce turns into the Hulk and makes a break for San Francisco, leading to a desert chase sequence involving military aircraft, tanks, and bombs. Only the sight of Betty can make him turn back to his human form. When he is eventually captured, Dr. David Banner shows up for a final confrontation with his son and his old adversary, General Ross.

For his fifth effort as a feature-film director, one-time cinematographer Barry Sonnenfeld brought his cartoonish visual style and darkly humorous sensibilities to this adaptation of, appropriately enough, a tongue-in-cheek sci-fi comic book. Will Smith stars as James Darrel Edwards, a New York City cop with an athletic physique and a flippant, anti-authoritarian attitude toward law enforcement. After chasing down a mysterious perpetrator one night who turns out to be an alien, James is recruited by “K” (Tommy Lee Jones), a veteran of a clandestine government agency secretly policing the comings and goings of aliens on planet Earth. Nicknamed the “men in black” for their nondescript uniform of black suit, shoes, tie, and sunglasses, the agents are assigned to recover a bauble that’s been stolen by an intergalactic terrorist (Vincent D’Onofrio). It seems the item is none other than the galaxy itself, and its theft has plunged humanity into the center of what’s shaping up to become an interstellar war, unless K and his new wisecracking partner, now renamed “J,” can stop the bad guy. On their side but somewhat in the dark is a pretty, unflappable city medical examiner (Linda Fiorentino) who has been zapped one too many times by K’s ingenious memory-sapping device. Men in Black was a box office smash, inspiring an animated children’s television series and a hit soundtrack album that featured a performance by star (and rapper) Smith.