Bovie Movie

Directed by Michael Mayer and based on The Hours author Michael Cunningham’s novel of the same name, A Home at the End of the World chronicles the 1980s reunion of childhood best friends Bobby (Colin Farrell) and Jonathan (Dallas Roberts). Where they were once best pals — and teenage lovers — in the suburbs of Cleveland, Bobby has become a charismatic but go-nowhere heterosexual slacker, and Jonathan is now living as an openly gay man in New York City, hoping to serve as father to his eccentric roommate Clare’s (Robin Wright Penn) child. When Bobby impulsively moves to the city to be closer to his former friend, their bonds are tested sooner than anyone would have thought. Bobby falls for Clare, and in doing so, effectively eliminates what would have been Jonathan’s position in the baby’s life. Jonathan temporarily takes off; when his father dies, and he attends the Arizona funeral, Bobby and Clare unexpectedly turn up with the news that she’s expecting. Despite the still-existent tensions, the trio becomes a family unit among themselves, ultimately buying a house in Woodstock, Upstate New York, where they all move together, challenging traditional notions of family, commitment, love, and devotion.

A national health care crisis in the United States yields this tense drama from screenwriter James Kearns and director Nick Cassavetes, who experienced a real-life dilemma with his daughter’s congenital heart disease that mirrors the one in this film. Denzel Washington stars as John Q. Archibald, a factory worker facing financial hardship as a result of reduced hours in his workplace. When his young son, Michael (Daniel E. Smith), is stricken during a baseball game, John and his wife, Denise (Kimberly Elise), discover that their child is in need of an emergency heart transplant. Although the Archibalds have health insurance, they are informed by hospital administrator Rebecca Payne (Anne Heche) that their policy doesn’t cover such an expensive procedure. Unable to raise the money himself, John persuades the hospital’s compassionate cardiac surgeon, Dr. Raymond Turner (James Woods), to waive his lofty fee, but is still left with too much of a financial burden to bear. With no recourse but to take his son home to die, John snaps and holds the staff and patients of the hospital’s emergency room hostage at gunpoint. John is soon a media hero, the focus of intense news coverage, even as police chief Gus Monroe (Ray Liotta) and hostage negotiator Frank Grimes (Robert Duvall) try to resolve the situation before it leads to bloodshed.

A woman meets her future in-laws and discovers they don’t much care for her in this comedy from writer and director Thomas Bezucha. Everett Stone (Dermot Mulroney) is a successful young businessman who is dating Meredith Morton (Sarah Jessica Parker), and has asked her to spend Christmas with his family, with plans to ask his mother Sybil (Diane Keaton) for the titular family wedding band and propose to Meredith on Christmas. Meredith is more than a bit nervous about meeting Everett’s folks, and things only get worse when they arrive — Meredith is by her nature straight-laced and a bit uptight around strangers, while Sybil and family patriarch Kelly (Craig T. Nelson) are free-thinkers who, except for Everett, have raised a family of cheerfully rebellious children, most notably younger daughter Amy (Rachel McAdams), older brother Ben (Luke Wilson), and adopted sibling Thad (Tyrone Giordano, who is both deaf and gay.
Meredith and the Stone family do not get along well at first, especially Sybil, who is appalled at the prospect of Everett giving Meredith the family’s heirloom wedding ring; in dire need of moral support, Meredith asks her younger sister, Julie (Claire Danes), to join her for Christmas with the Stones. However, the plan runs into a snag when Everett’s head is turned by pretty Julie, and Meredith finds herself on the receiving end of attention from slobby Ben.

The Bold Ones was the umbrella title given a group of rotating hour-long TV series, which ran from 1969 to 1973. Joining established Bold Ones components The Doctors and The Lawyers in 1970 was The Senator, starring Hal Holbrook as RFK-like Senator Hays Stowe. The pilot for The Senator was A Clear and Present Danger, which first aired March 21, 1970. In this 2-hour “problem drama”, Senator Stowe tackles the issue of air pollution after a close friend dies of emphysema. The Emmy-nominated Hal Holbrook, Sharon Acker (as Erin Stowe) and Cindy Eilbacher (as Norma Stowe) carried their roles over to the “Senator” series proper, while Michael Tolan was cast as Stowe’s aide Jordan Boyle, the role played in A Clear and Present Danger by Joseph Campanella.

In this powerful and disturbing drama, Danny Balint (Ryan Gosling) is a member of a gang of racist skinheads who espouses a vile but well-articulated philosophy of anti-Semitism. Danny also has a secret — he is a Jew, and was a top student in Hebrew school before he began to ask too many questions about the deeper implications of the teachings in the Torah and the Old Testament, leading to his expulsion. Angry and confused, Danny began to explore the philosophies of the neo-Nazi movement, which he soon came to embrace through a mixture of anger over the tragic history of the Jewish people, bitterness over his experiences in Hebrew school, and a loathing of himself. Danny soon becomes a key member of a skinhead sect led by Curtis (Billy Zane) and Lina (Theresa Russell), but while Curtis and Lina believe that the desire for cultural assimilation by many American Jews will lead to their self-destruction, Danny advocates a more direct and violent approach in dealing with the “enemy.” Danny gains the admiration of his fellow skinheads for his intelligence and commitment, and wins the affection of Carla (Summer Phoenix), a group member with severe masochistic tendencies. But in time Danny’s beliefs begin to shift once again, just as the truth about his background becomes known to his comrades. Winner of the Grand Jury Prize at the 2001 Sundance Film Festival, The Believer was inspired by the true story of Daniel Burros, a member of the American Nazi Party who committed suicide in the 1960s when it was revealed by the press that he was born to a Jewish family.

A W. Somerset Maugham novel was the source for the fair-to-middling Greta Garbo vehicle The Painted Veil. In a situation comparable to the plotlines of most of her silent films, Garbo is lovelessly married to Herbert Marshall, but carries a flaming torch for George Brent. (Also harking back to Garbo’s silent days is the fact that neither one of the men in her life is particularly interesting!) Marshall, a brilliant physician, is compelled to go into the interior regions of China to quell a cholera epidemic. He knows that Garbo has been having an affair with politician Brent, and chivalrously gives her the choice of remaining with Brent or accompanying him. Fearing a scandal, Brent bids farewell to Garbo. Once they’re in the midst of the epidemic, Garbo tirelessly works by her husband’s side; eventually she falls in love with him for the first time. Seriously injured in a peasant uprising, Marshall hovers near death. Brent reappears, offering to take Garbo back with him. She refuses, electing to stay with her husband no matter what the future brings. Among the supporting players in The Painted Veil are Warner Oland and Keye Luke, one year away from their memorable pairing in Fox’s Charlie Chan films.

Mark Renton (Ewan McGregor), a young man with few prospects and fewer ambitions, lives in economically depressed Edinburgh. Like most of his friends, Renton is a heroin addict who loves the drug’s blissful nothingness; financing his habit also provides excitement and challenges that his life otherwise lacks. Renton’s two best friends are also junkies: Sick Boy (Jonny Lee Miller), a snappy dresser obsessed with James Bond, and Spud (Ewan Bremner), a guileless nerd who suggests Pee Wee Herman’s debauched cousin. Renton and his pals also hang out with Begbie (Robert Carlyle), a borderline psychotic who loathes junkies even though he drinks like a fish. After one too many brushes with the law, Renton kicks heroin and moves to London, where he finds a job, a flat, and something close to peace of mind. However, Sick Boy, Begbie, and Spud all arrive at his doorstep on the trail of a big score, leading Renton back into drugs and crime.

This romantic melodrama reunites The Devil’s Advocate (1997) co-stars Keanu Reeves and Charlize Theron, and is directed by Irish filmmaker Pat O’Connor (Circle of Friends). Sara Deever (Theron) is a beautiful young woman who begins a new romantic relationship with a man each month, then helps him to evolve into a better and kinder human being before she moves on to the next partner. Although she’s remained friendly with some of her former lovers, she’s never broken her one-month rule. November’s candidate is a particularly heartless business exec named Nelson Moss (Reeves), who takes a while to come around. Once he does, however, Nelson falls deeply in love, hoping to woo Sara for good; eventually, her resolve weakens. What Nelson doesn’t know is the tragic secret behind the brevity of Sara’s romances. A remake of a 1968 Sandy Dennis film by the same name, this contemporary version of Sweet November is less comedic and emphasizes more of its story’s tearjerker qualities than the original.

A fictionalized account of one of America’s most groundbreaking sexual harassment lawsuits comes to the screen in this hard-hitting drama. In the late ’80s, Josey Aimes (Charlize Theron) fled her abusive husband, and needed to find a way to support her two children. Aimes returned to her hometown in Minnesota and followed the lead of her old friend Glory (Frances McDormand), who had bucked tradition and found a job in the iron mines that had long provided employment for much of the community. Aimes found honest labor and a living wage working the mines, but she also discovered she was working with men who were uncomfortable working with women (whose right to work in the mines had been mandated by law almost 15 years prior), and didn’t care to show them much respect. However, as Aimes found herself the growing target of sexist jokes and abhorrent behavior, she found that many of her female co-workers were reluctant to stand beside her, afraid of losing a good-paying job at a time when they were increasingly hard to find. But as a personal crisis became a public war of words, Aimes became the center of a nationwide controversy when she attempted to file a class action sexual harassment suit against the mine owners, which put her and her family in a position of scrutiny beyond her worst expectations. North Country also stars Sean Bean, Sissy Spacek, and Woody Harrelson.

A teenage boy makes the sort of wish you’d expect a teenage boy to make, and he might just get to live it out in this dark comedy. Dylan Jamieson (Michael Angarano) is a 16-year-old boy living in Pennsylvania who is being raised by his mother, Karen (Cynthia Nixon), on her own after the death of his father (played by Ethan Hawke). Karen and Dylan have received the news that the boy has contracted a rare form of cancer and isn’t likely to live to see seventeen. Dylan has taken the news surprisingly well, facing his treatment with pointed good humor and spending much of his free time with his best buddies Slap (Gideon Glick) and Ricky (Matt Bush). Aware that the end is on the horizon, Karen contacts United Wish Givers, a group that arranges for ailing youngsters to enjoy a final adventure before they pass, and they set up a fishing trip for Dylan with a professional football star. However, Dylan comes up with a better idea with the help of Slap and Ricky, and on television, tells the group’s representatives that what he really wants is a weekend-long date with Nikki Slater (Sunny Mabrey), a supermodel and world-class sex symbol. While the United Wish Givers are appalled and Karen isn’t sure this is a good idea, Arlene (Gina Gershon), Nikki’s agent, sees possibilities in this news — Nikki has been on a bender of bad publicity recently, and granting a kid’s last wish might be just the thing to help folks forget that she’s been pushing rival models off runways. One Last Thing… was directed by Alex Steyermark, who worked with Gina Gershon on his previous film, Prey for Rock & Roll.