Bovie Movie

Leading man Matt Dillon makes his directorial debut with the crime thriller City of Ghosts. Jimmy (Dillon) is a New York con man fleeing the U.S. for Bangkok in order to avoid an insurance scam investigation. He goes to Cambodia to meet up with his former business partner, Marvin (James Caan), to collect his half of the money. Along the way, he makes friends with local man, Sok (Sereyvuth Kem), and romances Sophie (Natascha McElhone). Also starring G?rard Depardieu and Stellan Skarsg?rd.

James Cox directs the sleazy Hollywood murder tale Wonderland, starring Val Kilmer as legendary porn star John Holmes. Using a non-linear plot structure, the film explores different perspectives of the quadruple homicide that occurred on July 1, 1981, in the Hollywood Hills. At the lowest point of his career and the height of his drug addiction, Holmes was implicated in the murders of the Wonderland gang: Ron Launius (Josh Lucas), Billy Deverell (Tim Blake Nelson), Barbara Richardson (Natasha Gregson Wagner), and Joy Miller (Janeane Garofalo). Launius’ wife, Susan (Christina Applegate), was the only survivor. Led by Detective Sam Nico (Ted Levine), the police investigation reveals a dark criminal underworld surrounding Holmes, his disapproving wife, Sharon (Lisa Kudrow), and his innocent teenage girlfriend, Dawn Schiller (Kate Bosworth). Eric Bogosian stars as notorious Hollywood nightclub owner Eddie Nash. Wonderland premiered at the 2003 Toronto Film Festival.

Master of disguise Sacha Baron Cohen hits the road to explore America as the crude Kazakstani reporter Borat in a feature mockumentary that brings one of the Da Ali G Show star’s most popular characters to life on the big screen. Sent by the Kazakh Ministry of Information to gain a better understanding of American culture and bring his findings back home, Borat and faithful producer Azamat (Ken Davitian) set their sights in New York City. When the citizens and interview subjects of the Big Apple seem less than receptive to Borat’s distinctively unrestrained approach and the curious Kazakh television personality stumbles across an episode of Baywatch while channel-surfing in his hotel room, he becomes instantly smitten with screen siren Pamela Anderson. Now confident that the only way to discover the true essence of America is to travel to California and make the bikini-clad beauty his bride, Borat purchases a ramshackle ice-cream truck in which he and Azamat will make their way across the Great Plains and on to the sunny West Coast — all the while coming into contact with a wide variety of “typical” Americans. Within this loose, scripted framework, Borat engages in his usual misbehavior with unsuspecting strangers, from accidentally releasing a chicken from his suitcase on a New York subway ride to a formal interview with Alan Keyes.

George Armitage directs this big-screen adaptation of Elmore Leonard’s The Big Bounce. Jack Ryan (Owen Wilson) is an occasional thief who tends to a judge (Morgan Freeman). A woman involved with Ray Ritchie (Gary Sinese), a real estate developer of questionable ethics, seduces Jack. Ritchie and the judge are old enemies, complicating Jack’s moral dilemma when the girls asks Jack to help her double-cross Ritchie. The book was adapted once before with Ryan O’Neal in the Owen Wilson role.

Satan’s son has arrived on Earth and He’s not about to let human parents get in the way. When his wife Katherine’s (Lee Remick) pregnancy ends in a stillbirth in a Rome hospital, U.S. diplomat Robert Thorn (Gregory Peck) substitutes another baby, whose mother died. Little Damien (Harvey Stephens) thrives, but, at his fifth birthday party, his nanny mysteriously dies; Father Brennan (Patrick G. Troughton) also expires after warning Thorn that he has adopted Lucifer’s son. While sinister new nanny Mrs. Baylock (Billie Whitelaw) assiduously protects Damien, Thorn’s fears escalate when photographer Jennings (David Warner) shows him pictures from Damien’s party with marks suggesting how the nanny and Brennan would die. Thorn seeks out Bugenhagen (Leo McKern), an exorcist who confirms Damien’s identity and tells Thorn that the only solution is to kill his adopted son. As the bodies pile up, Thorn tries to do his duty, but trust the law to get in the way of saving the world from future Armageddon.

Guy Ritchie’s sophomore follow-up to his 1998 sleeper hit Lock, Stock, and Two Smoking Barrels, Snatch revisits the previous film’s territory of London’s crime-ridden underbelly, and does so with the same brand of humor and stylish direction that made Ritchie’s first effort a surprise success. With a labyrinthine plot that is ostensibly oriented around a missing diamond, Snatch introduces viewers to three groups of characters intent on retrieving the elusive stone, which has been stolen from an Antwerp jeweler. In the first group are friends and business partners Turkish (Jason Statham, who also supplies the film’s voice-over narration) and Tommy (Stephen Graham), who join up with Mickey (Brad Pitt), an Irish gypsy and boxer. Turkish and Tommy make arrangements with Mickey to take a fall in a match engineered by lunatic gang leader Brick Top (Alan Ford). In another corner resides equally loony Russian gangster Boris the Blade (Rade Sherbedgia), who has asked Jewish gangster Franky Four Fingers (Benicio Del Toro) to place a bet on the match for him. Boris is also scheming to have Sol (Lennie James), the owner of a pawn shop, rob the place with a couple of dim associates. Meanwhile, Avi (Dennis Farina), freshly arrived in London from New York, hires Bullet Tooth Tony (Vinnie Jones) to find Franky when he goes missing; it seems that it was none other than Franky who was supposed to be transporting the purloined diamond to New York.

In Stewart Raffill’s low-budget, direct-to-video exploitationer Three (aka Survival Island, 2006), Jennifer, the sexy trophy wife of the arrogant and emotionally abusive Zack (Billy Zane) escapes a blaze on the couple’s yacht, only to wake up on a deserted island with Hispanic crewman Manuel (Juan Pablo Di Pace). The two indulge in one another, with not a cloud on the horizon — until Zack unexpectedly washes ashore. An ugly struggle then unfolds, as the boys vie for Jennifer’s body and “survival of the fittest.”

Adapted from a novel by John Fante, Robert Towne’s Ask the Dust stars Colin Farrell as Arturo Bandini, a young writer who comes to Los Angeles during the Great Depression in order to write a novel. As the film opens, he is down to his last nickel and decides to spend it on coffee in a diner. He is served by Camilla (Salma Hayek), a Mexican beauty he is instantly attracted to even though he treats her horribly during their first interaction. Soon the pair is involved in a relationship that finds them sparring with each other at first, but slowly learning to trust each other. Bandini meets the acquaintance of a desperate woman who sees him as the most desirable man in the world. Eventually Arturo and Camilla get away from the city and their love deepens as he attempts to finish his novel. Donald Sutherland co-stars as a seedy but helpful and loyal neighbor.

Blending rough-and-tumble drama with romance, this story is set in Australia shortly after World War II, when waves of immigration brought thousands of people to Australia’s rural prairies. Baringa is a small town built around an abandoned military base; primarily home to migrant laborers, Baringa is the temporary home to people from all over the vast Australian continent, as well as many of the European nations, some of whom are looking to start a new life, while others are trying to live down their pasts. Originally produced as a mini-series for Australian television, Bordertown featured Cate Blanchett, three years before she rose to fame with her breakthrough role in Elizabeth; the cast also includes Alex Maglet, Geoff Morrell, Christine Tremarco, and Hugo Weaving.

Mr. Bean — the stick-legged goofball man-child created by Rowan Atkinson on television in the early ’90s, and in the 1997 feature Bean — undertakes his second cinematic adventure in the comic romp Mr. Bean’s Holiday. Growing thoroughly sick of the wet, cold, and clammy London weather, Mr. Bean (Atkinson) finds just the right tonic when he wins a trip to sunny southern France, all expenses paid, with a new digital video camera to accompany him. However, he runs headfirst into a series of outrageous and unpleasant situations, such as winding up in a French restaurant where a ma?tre d? (Jean Rochefort) convinces him to eat bizarre varieties of seafood that he’s never before encountered, and discovering that the “Very Fast Train” certainly lives up to its name. Eventually, Mr. Bean (accompanied by a Russian traveling companion whom he meets along his journey) stumbles onto the French Riviera and spoils the latest movie production of snobbish, egomaniacal filmmaker Carson Clay (Willem Dafoe) — little realizing that his own klutzy video footage will accidentally end up in Clay’s film and be screened at the upcoming Cannes Film Festival. Unlike the first big-screen incarnation of Atkinson’s character, Mr. Bean’s Holiday adheres more closely to the formula of the original series by rendering the character almost completely mute.