Bovie Movie

Jack Nicholson becomes a werewolf in this bizarre comedy-horror film directed by Mike Nichols. Nicholson plays Will Randall, a book editor with a testosterone deficit who has just been sacked at his publishing firm by a new boss, Raymond Alden (Christopher Plummer). A colleague, Stewart Swinton (James Spader), whom Randall thought was his friend, betrays him. Randall’s personality changes after he hits a wolf with his car and gets bitten by the creature. He immediately feels more powerful, has heightened hearing and vision, and sets about to right the wrongs in his life. He visits Alden at the publisher’s mansion to protest his dismissal, and he is asked to leave — but Alden’s daughter Laura (Michelle Pfeiffer) asks him to stay for lunch. Laura loves to defy her father. Will tells her about the wolf bite, and she becomes attracted to him. But because werewolves usually kill the ones they love, Laura is in danger. Will reasserts his place in the publishing world, supported by his loyal secretary Mary (Eileen Atkins), and his relationship with Laura deepens.

When brothers and fellow FBI agents Marcus (Marlon Wayans) and Kevin Copeland (Shawn Wayans) accidentally ruin an otherwise painstakingly executed drug bust, getting back into the good graces of their boss becomes a high-priority assignment in itself. With this in mind, Marcus and Kevin take on a case far beneath their usual standards when they agree to escort socialite sisters Brittany (Maitland Ward) and Tiffany Wilton (Anne Dudek) from a private terminal at JFK Airport to their hotel room in the Hamptons. Once there, two considerably higher-ranking agents will take over the girls’ protection. The extra security is no mere perk of wealth, however, as it appears that Brittany and Tiffany have been targeted by a serial kidnapper. The FBI hopes to apprehend the perpetrator by using the girls as bait, unbeknownst to them. The plan may have worked if it weren’t for Kevin and Marcus, who manage to let the sisters in on the secret. Understandably, neither of them want any part in the process, so they force the brothers to come up with a radical solution: With the help of an FBI lab scientist, the very much African-American Kevin and Marcus will be transformed into two white women who could pass for Brittany and Tiffany. The agents must keep the charade up long enough to lure the kidnapper, but fooling everyone involved will be the job of their lives. Directed by Keenen Ivory Wayans, White Chicks also features James King and Lochlyn Munro.

Bobby Long (John Travolta) is a washed up former literature professor with a voracious drinking habit. He lives in a rundown house in New Orleans with Lawson Pines (Gabriel Macht of The Recruit), his former star pupil, also an alcoholic. Lawson is allegedly writing a novel about Bobby. Their depressive little corner of the world is disrupted when Lorraine, the beloved eccentric singer who owns their house, dies. Her teenage daughter, Pursy (Scarlett Johansson), who hasn’t seen her mother in years, arrives in town too late for the funeral, and crashes at the house. Afraid of being thrown out on the street, Bobby convinces Lawson to tell Pursy that the house has been left to all three of them. Pursy, having little else to do, decides to move in, and starts cleaning up the place, making it her own. Lawson is involved with Georgianna (Deborah Kara Unger), who works at the local bar, but he quickly develops a crush on the comely Pursy. The cantankerous Bobby seems determined to drive the girl away. As Pursy settles into the diverse little community, all of Lorraine’s old friends tell her how much she looks like her mother, and she begins to uncover some startling truths about her family history. A Love Song for Bobby Long is based on the novel Off Magazine Street, by Ronald Everett Capps. It was adapted for the screen and directed by Shainee Gabel, who co-directed the documentary Anthem.

Nicolas Cage and Laura Dern play a pair of lovers on the run in David Lynch’s surrealist road movie Wild at Heart. Cage’s Sailor Ripley is a violent ex-convict with an Elvis Presley fixation who falls in love with Dern’s Lula Pace Fortune, the daughter of a rich, but mentally unstable, Southern belle named Marietta (Diane Ladd, Dern’s real-life mother). Just after Sailor is released from prison, where he was jailed for brutally killing one of Marietta’s thugs, he and Lula take off on a wild cross-country trip, pursued by his parole officer, her mother, criminals, bounty hunters, and detectives. Along the way, Sailor and Lula have a lot of sex, share their pasts, share their respective obsessions for Elvis and The Wizard of Oz, and meet a lot of bizarre characters, including a seedy ex-marine (Willem Dafoe) who persuades Sailor to participate in a bank robbery.

In this teenage horror film, a young man avoids the hand of death, only to find that he can’t get away from it so easily. On the way to Paris with his high-school French club, Alex Browning (Devon Sawa) has a vivid premonition of the plane crashing and killing all its passengers. After Alex and some other passengers demand to be let off the flight, his premonition turns out to be true, and the jet explodes during takeoff. While the FBI is convinced that Alex was involved in some kind of foul play, the passengers who got off the flight are all dying in horrible ways, as if whoever determined that the passengers would perish is punishing those who cheated death. Final Destination marked the feature directorial debut of James Wong, a producer and director for the TV series The X Files.

The final work of legendary director Stanley Kubrick, who died within a week of completing the edit, stars Tom Cruise and Nicole Kidman, at the time Hollywood’s most bankable celebrity couple, and was shot on a open-ended schedule (finally totaling over 400 days), with closed sets in London standing in for New York City. Cruise and Kidman play William and Alice Harford, a physician and a gallery manager who are wealthy, successful, and travel in a sophisticated social circle; however, a certain amount of decadence crosses their paths on occasion, and a visit to a formal-dress party leads them into sexual temptation when William is drafted into helping a beautiful girl who has overdosed on drugs while Alice is charmed by a man bent on seduction. While neither William and Alice act on their adulterous impulses, once the issue has been brought into the open, it begins a dangerous season of erotic gamesmanship for the couple, with William in particular openly confronting his desire for new sexual experiences. What didn’t make the final cut of Eyes Wide Shut may have been as fascinating as what finally appeared on screen: Harvey Keitel was replaced almost immediately by Sydney Pollack, while Jennifer Jason Leigh was replaced by Marie Richardson after she had shot all her scenes and left town.

A process server makes an unusual alliance with a beautiful but devious woman in this comedy. Joe Tyler (Matthew Perry) is a former attorney whose career went bust when he picked up some clients who turned out to be associated with the Mafia. These days, Joe makes his living as a process server, who presents people with legal papers — papers they would usually prefer not to get. One of Joe’s fellow servers, Tony (Vincent Pastore), is trying to weasel him out of his job, and has starting tipping off Joe’s targets before he can deliver their papers in order to get Joe in dutch with their boss, Ray (Cedric the Entertainer). Joe, however, is able to persuade Ray to give him another chance with a high-profile client, Gordon (Bruce Campbell), a wealthy Texas cattle baron who has decided to divorce his wife and business partner, Sara (Elizabeth Hurley), in order to marry another woman, Kate (Amy Adams). When Joe presents Sara with the divorce papers, she is shocked by the news, which would cost her her half of the Gordon fortune. After Joe gets carjacked and finds herself on the same bus with Sara, she makes him a deal: If he’s willing to take back the papers, say he never presented them, and serve a divorce petition to Gordon first, she’ll pay Joe an even million dollars. Serving Sara became the focus of some unexpected controversy during its production — first when Matthew Perry took a brief leave from the production to enter a rehabilitation clinic to fight an addiction to painkillers, and later when Elizabeth Hurley’s former boyfriend, Steve Bing, accused Perry of being the father of Hurley’s child (a charge both Hurley and Perry denied, and was proven false by blood tests).

Martin Freeman, Corey Johnson and Velibor Topic helm the unabashedly rude, gross-out crime comedy The All Together. As the story opens, successful television producer Chris Ashworth (Freeman) leaves his home to head off to work, and puts his boarder, the Bosnian immigrant Bob (Topic), in charge of showing the home to real estate appraisers. An eccentric taxidermist who makes his living from stuffed models of copulating animals, Bob is also untrustworthy and lazy; he nonetheless consents to Chris’s request, which frees up Chris for the rest of the day and provides a much needed relief from stress. Meanwhile, in another part of town, the thug Dennis Earle (Danny Dyer) chauffeurs an American criminal associate, Mr. Gaspardi (Corey Johnson) to the airport, when Gaspardi grows violently ill - the result of curry eaten the night before - and declares that he must find a toilet in which to vomit. The two decide to find a bathroom in a nearby house, and happen upon Chris’s house. Their visit, of course, falls right in the middle of the real estate tour, and a series of subsequent mishaps set the stage for a violent and outrageously messy afternoon.

Independent filmmaker Gregg Araki has probably set a record for low budgets in this current feature The Long Weekend. It came in at around $5,000 and yet was shown in legit moviehouses to respectful (if not overwhelmingly positive) reviews. As with his other movies, the central characters in this one are gay, lesbian or bisexual, and the setting is in Los Angeles. The story concerns the efforts of angst-ridden gay man to cope with his bisexual lover’s antics, and the parallel efforts of a lesbian woman to ditch her dimwitted girlfriend.