Bovie Movie

Jonathan Demme directed this updated remake of John Frankenheimer’s 1962 cult favorite The Manchurian Candidate, a pioneering examination of political conspiracy and psychological reconditioning. Major Bennett Marco (Denzel Washington) and Sergeant Raymond Shaw (Liev Schreiber) are two soldiers who served in the same company during Operation Desert Storm, but their paths following their tours of duty have been very different. Shaw, the son of powerful congresswoman Eleanor Shaw (Meryl Streep), has used his reputation as a war hero to quickly scale the ladder of American politics, and with the help of his mother earns the Vice Presidential nomination. Marco, on the other hand, has been troubled with mental illness, and is convinced that something strange happened to him and his compatriots during the war. As Marco struggles to find the truth behind his nightmares and emotional torment, he unearths some disturbing facts about how his mind and body have been reworked by shadowy forces, as well as those of his fellow soldiers — including Raymond Shaw. Featuring a stellar supporting cast (including Jon Voight, Miguel Ferrer, Ted Levine, and Dean Stockwell), The Manchurian Candidate credits George Axelrod’s screenplay for the 1962 film as its source, as opposed to Richard Condon’s 1959 novel from which Axelrod adapted his script.

Mike Judge wrote and directed this offbeat sci-fi comedy which gives a new meaning to the expression “people are getting dumber all the time.” In 2005, Pvt. Joe Bowers (Luke Wilson) is a soldier chosen to take part in a secret military scientific experiment in which he will be put into induced hibernation for one year, along with a woman named Rita (Maya Rudolph). Bowers is chosen for the assignment because he is statistically the most average man in the Army, while Rita is a hooker ordered to do some community service; however, Bowers and Rita are forgotten when the military base where the experiment took place is closed down, and when they wake up in the year 2505, Bowers finds himself living in a society where intelligence has taken such a landslide he’s now the smartest man in the world. Can Bowers save America from its own remarkable stupidity, and he can he get the dunderheads around him to believe what he says? Produced under the title 3001, Idiocracy also stars Dax Shepard as Bowers’s numb-skull lawyer, Stephen Root as a judge, and Terry Crews as Camacho, a former porn star and professional wrestler who is now president of the United States.

Taking home a paycheck that nearly rivals the budget of the first film, Reese Witherspoon reprises the role of Elle Woods in this sequel to 2001’s surprise blockbuster Legally Blonde. When she’s fired from her job at an upscale law firm for voicing her stance against the testing of cosmetics on animals, Elle heads to Capitol Hill to fight for her cause before Congress, leaving her boyfriend, Emmett (Luke Wilson, reprising his role from the film’s predecessor), behind. Once there, she runs into plenty of adversity and red-tape and can’t seem to find anyone who will listen to her proposals. While staying at the Watergate hotel though, she meets and befriends an elderly bellman (Bob Newhart in his first theatrical role since 1997’s In & Out) who’s been around politicians long enough to know the ins and outs of the political machine. With his help, Elle attempts to convince disillusioned U.S. Representative Rudd (Sally Field) to help her get her voice heard in front of the stodgy old coots of the legislative branch. Directed by Charles Herman-Wurmfeld hot off the success of his critically acclaimed indie comedy Kissing Jessica Stein, Legally Blonde 2: Red, White and Blonde boasts a supporting cast led by Jennifer Coolidge (Best in Show, American Pie) and Regina King (Jerry Maguire, Daddy Day Care).

This quirky science fiction comedy is a characteristic feature by iconoclastic director Tim Burton, known to moviegoers for Beetlejuice, Edward Scissorhands, and The Nightmare Before Christmas. The storyline affectionately harkens back to the deadpan sincerity of such ’50s and ’60s science-fiction films as The Day the Earth Stood Still and War of the Worlds. Flying saucers have been reliably seen over the capitals of the world, and the whole world awaits with bated breath to see what will transpire. Among those waiting is the President of the United States (Jack Nicholson), who is assured by his science advisor (Pierce Brosnan) that the coming aliens are utterly peaceful. This advice is hotly contested by the military (led by Rod Steiger), who advices the President to annihilate them. When the aliens land, they are seen to be green, garish, and very cheerful. But appearances prove deceiving when the “friendly” aliens abruptly disintegrate the entire U.S. Congress. Hollywood notables appear in vast quantities in roles (and sub-plots) of all sizes in this zany feature.

Video director Michel Gondry and scriptwriter Charles Kaufman — who shot to fame after penning Being John Malkovich — collaborate on this bizarre fable about human behavior in and out of society. The film opens by quickly introducing the three leads — Lila (Patricia Arquette) who is locked away in prison; Puff (Rhys Ifans) who is testifying before Congress; and Nathan Bronfman (Tim Robbins) who is sitting in a glowing white afterlife waiting room with a bullet hole in his head. Rewinding to the beginning of the story, the film shows Lila as a girl about to enter womanhood. Unfortunately, puberty goes horribly awry and she starts to grow thick hair all over her body. After performing as Queen Kong in a circus freak show, she chucks it all and goes to live in the forest, where she becomes the best-selling author of a misanthropic hard-line ecological tome. At age 30, her itch for male companionship becomes overwhelming and she ventures back into the city. She is helped by electrolysis guru Louise (Rosie Perez), who not only makes Lila presentable to society, but introduces her to Nathan, a 35-year-old virgin who, as a scientist, has devoted his life to teaching table etiquette to lab mice. While showing Nathan the joys of the wild outdoors, Lila and her new beau discover an extremely hirsute feral man whom they dub Puff. Placing him a cage in his lab, Nathan sets out to teach Puff the ways of polite society while dreaming of fame and fortune. The first task is to curb Puff’s enormous sexual appetite — any time he catches sight of a female, Puff either tries to hump her or masturbates vigorously. Nathan yokes him with an electric collar that shocks him any time he acts unseemly. Unfortunately, the humans on the other side of the cage can’t quite control their libidos either: Nathan succumbs to the incessant double entendres of his saucy French assistant Gabrielle (Miranda Otto) while Lila finds an animalistic lust for Nathan’s science experiment. This film was screened at the 2001 Cannes Film Festival.

Directed by Michael Moore, whose aura of controversy only grew after his Oscar acceptance speech at the 2003 Academy Awards, Fahrenheit 9/11, like Moore’s Bowling For Columbine and Roger & Me, promises to expose the corporate wrongdoings and big-money scandals perpetrated by America’s financial elite. This movie, however, looks beyond the inner echelons of General Motors and Lockheed Martin in hopes of outing the evildoers in the White House, particularly in regards to the 43rd President of the United States, George W. Bush. In addition to criticizing the administration’s handling of the September 11, 2001, terrorist attacks on the Pentagon and World Trade Center, Moore digs deep into the surprising relationship with the Bin Laden family held by both Bush administrations, and questions whether or not potential Saudi involvement with the attacks has been ignored. As Fahrenheit 9/11’s Cannes Film Festival debut approached, marking only the second time in 48 years that a documentary has been included among the festival’s main competition, Miramax’s parent company Disney announced it would not be distributing the film due to its partisan nature, and, according to Moore, out of trepidation that the Florida-based Goliath’s multi-million-dollar tax breaks might be negatively affected by Florida Governor Jeb Bush, whose review within Fahrenheit 9/11 is less than favorable.