Bovie Movie

Peter Farrelly and Bobby Farrelly, the impish impresarios of gross-out comedy, take their body function-inspired humor to new extremes in this mixture of live action and animation. Bill Murray stars as Frank, a zoo worker suffering from the effects of an unknown malady he contracted after eating an egg contaminated with simian saliva. Unknown to Frank, the inside of his body is actually a city (the City of Frank) teeming with cellular life, where the mysterious illness he’s fighting is an invading enemy that must be defeated at all costs. It’s up to Osmosis Jones (voice of Chris Rock), a white blood cell cop, and Drix (voice of David Hyde Pierce), a rookie over-the-counter medication, to hunt down and stop a lethal virus (Laurence Fishburne) who’s got an inferiority complex. Along the way, the partners visit Frank’s runny nostrils (Booger Dam) and a bar called, appropriately enough, the Zit. Osmosis Jones costars Molly Shannon and Chris Elliott, and features the vocal talents of William Shatner, producer Joel Silver, and singer Brandy Norwood.

Animal rights activists free a group of infected chimpanzees to horrifying results in this speculative sci-fi horror effort from Trainspotting director Danny Boyle. Waking from a coma in a deserted London hospital 28 days later, bicycle courier Jim (Cillian Murphy) takes to the deserted city streets in a state of mystified confusion. Joining forces with another group of survivors following a terrifying encounter in a seemingly abandoned church, Jim soon learns the truth behind the deserted streets and the menacing creatures that lurk in the shadows. It’s soon revealed that the chimpanzees had been harboring a deadly virus that sends its victims into a furious, murderous rage, and in the days following the initial exposure, the entire population was nearly wiped out due to the resulting homicidal rampage. Is there still a glimmer of hope for humanity — or has the deadly “rage” virus found its way to foreign shores and infected the entire planet?

When wireless technology puts humans into contact with an unstoppable force that’s determined to claim the lives of the living for the souls of the damned, it’s up to a group of determined teens to close the gate before it’s too late in director Jim Sonzero’s remake of Kiyoshi Kurosawa’s apocalyptic horror classic. A doorway between the human realm and the spiritual realm has been opened, and now the technology that once made humankind the ruler of the planet has become its digital Achilles heel. With every call made and every e-mail checked, life is slowly being stolen from the living and claimed for the dead. With no way of turning off the connection and no means of reasoning with a force they cannot understand, a desperate group of college students must discover a means of stopping the takeover before the entire planet is transformed into a cosmic haunting ground for wayward souls in search of a home.

One of the only survivors of a man-made plague joins forces with a team of private warriors in a bid to save what’s left of the Earth in this sequel to Resident Evil, the big-screen adaptation of the popular video game. Picking up where the first film left off, Resident Evil: Apocalypse finds Alice (Milla Jovovich) still battling the living dead who are overtaking Raccoon City, inoculated with an anti-virus by the nefarious and all-powerful Umbrella Corporation (in addition to the virus itself). Alice encounters Jill Valentine (Sienna Guillory), a former member of Umbrella’s internal defense team. Forming an alliance with mercenary-for-hire Carlos Olivera (Oded Fehr) and his cohorts, this tiny band of survivors seeks out Dr. Charles Ashford (Jared Harris), Umbrella’s top scientist and one of the only men with the know-how to find a solution to the zombie menace; however, they discover that Ashford’s cooperation comes with a price — the scientist’s daughter Angie (Sophie Vavasseur) is missing, and he’ll help Alice and her partners only if Angie is returned to him safe and sound. Resident Evil: Apocalypse was the first solo directorial credit for Alexander Witt, who previously distinguished himself as a cinematographer and second-unit director.

This 60-million-dollar science fiction suspense drama (marketed with an additional 25 million dollars), was adapted from the popular TV series The X-Files — arriving in theaters while the Emmy-winning series was still being aired, continuing plot threads familiar to many of the series’ 25 million viewers, and featuring several familiar recurring characters introduced during the previous five TV seasons. In 15,000 B.C., a strange creature attacks a caveman. Cut to present day, when a boy at the same North Texas spot falls into a pit and is contaminated by a black substance. When a bomb threatens the Dallas Federal Building, special FBI agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) locate the device but are unable to prevent the explosion. The agency blames Mulder and Scully for the disaster, subjecting them to lengthy interrogations while trying to sever their partnership. In a bar, conspiracy theorist Kurtzweil (Martin Landau), a friend of Mulder’s father, tells Mulder about the group behind the explosion, the cover-up of the boy’s death, the bodies of four infected rescue workers removed from the Federal Building, the secret government, and the forthcoming plague. Mulder and Scully set out to find answers, and their investigation becomes a foray into the fantastic.

Director John Woo brings Hong Kong-style martial arts action to this comic book-flavored sequel that eschews the complicated plot and political maneuverings of its predecessor in favor of pure, adrenaline-charged thrills. Tom Cruise returns as Ethan Hunt, an operative for the top-secret government agency IMF (Impossible Missions Force). Fellow agent Sean Ambrose (Dougray Scott) has gone rogue, stealing a sample of a deadly synthetic virus named Chimera that could rapidly wipe out the world’s population. Ambrose’s plan is to sell Chimera to the highest bidder in exchange for shares of stock in the winner’s company. Summoned by the new IMF chief (Anthony Hopkins in an uncredited cameo role), Ethan is assigned to recruit the help of Ambrose’s former lover Nyah Nordoff-Hall (Thandie Newton), a gorgeous woman who left Ambrose broken-hearted and who may be able to quickly regain his confidence. Once he meets and spends a night with Nyah, however, Ethan is smitten, and now must both capture Ambrose and keep Nyah alive as she infiltrates a nest of vipers. Sophisticated disguises, gun battles, and high-speed chases are the order of the day, very much in the James Bond mold. Mission: Impossible 2 is based on a story by Star Trek: The Next Generation writers Ronald D. Moore and Brannon Braga, with a script polish by Robert Towne.

Driver and muscle for hire Frank Martin returns in this sequel to the 2002 box-office hit. Frank Martin (Jason Statham) is a former special-forces officer who will transport anything anywhere for a price, and his latest assignment is acting as chauffeur for Jack Billings (Hunter Clary), the young son of politician Jefferson Billings (Matthew Modine), who has garnered no small amount of controversy for his aggressive efforts to stamp out the trade in illegal drugs. One day, Frank is to take Jack to the doctor for a checkup while his mother, Audrey (Amber Valletta), sets up a birthday party for the tyke. However, Jack’s doctor is not who he appears to be — he’s actually Dimitri (Jason Flemyng), a Russian agent well versed in viruses who works with criminal kingpin Gianni (Alessandro Gassman). After a long and hard-fought chase with Frank, the bad guys get ahold of little Jack and hold him for ransom. The parents comply with their monetary demands and soon have their son back at home — but little do they know that the boy has secretly been injected with a deadly and easily spread virus, which the terrorists hope to spread to the boy’s powerful father and other politicians whom Jefferson will soon be addressing at a public event. When Frank learns what has happened to young Jack, he sets out to find the culprits — and the antidote that will save the boy and all others who have been exposed to the virus from dying a painful death — though his foes have stacked the deck so that it looks as if Frank has been complicit in the crime.

An intense film about time travel, this sci-fi entry was directed by Terry Gilliam, a member of the comedy troupe Monty Python. The film stars Bruce Willis as James Cole, a prisoner of the state in the year 2035 who can earn parole if he agrees to travel back in time and thwart a devastating plague. The virus has wiped out most of the Earth’s population and the remainder live underground because the air is poisonous. Returning to the year 1990, six years before the start of the plague, Cole is soon imprisoned in a psychiatric facility because his warnings sound like mad ravings. There he meets a scientist named Dr. Kathryn Railly (Madeleine Stowe) and Jeffrey Goines (Brad Pitt), the mad son of an eminent virologist (Christopher Plummer). Cole is returned by the authorities to the year 2035, and finally ends up at his intended destination in 1996. He kidnaps Dr. Railly in order to enlist her help in his quest. Cole discovers graffiti by an apparent animal rights group called the Army of the Twelve Monkeys, but as he delves into the mystery, he hears voices, loses his bearings, and doubts his own sanity. He must figure out if Goines, who seems to be a raving lunatic, holds the key to the puzzle.

When deadly meteorites start striking the calm, peaceful community of Berkeley, Australia, a ragtag group of strangers fight for their lives against a hoard of red-blooded zombies that have mysteriously infected the residents. Headed by the town’s ex-beauty queen Rene (Felicity Mason) and the village kook, Marion (Mungo McKay), the clan of survivors battle their way through farmhouses, bomb shelters, and back roads until they are faced with a much bigger problem than just the gut-munchers on their trail. The debut feature of writer/directors Michael and Peter Spierig, the film was two and a half years in the making, echoing other no-budget splatter epics like Peter Jackson’s Bad Taste and other similarly themed sci-fi horror romps. It went on to garner accolades from the Melbourne International Film Festival and the Catalonian International Film Festival, Sitges, Spain, among others.

Writer/director Ernie Barbarash helms this prequel to the sci-fi thriller Cube, with events that unfold some time prior to those in first picture. Here, another group of prisoners navigate the treacherous confines of their futuristic trappings. Each step is potentially the last as the deadly last traps hidden in the sparse rooms find the numbers of the unwilling prisoners quickly thinning. Only when they can figure out the mysteries of their constantly changing prison will the surviving inmates have any hope for escape, and even then there is no guarantee of freedom — much less survival. As the cube workers who monitor the prisoners progress bear witness to their increasingly grim bid for survival, a sudden sting of remorse finds one of the employees empathizing with the victims and plotting to assist them in their unlikely escape.