Bovie Movie

Based on a metaphysical 1978 novel by science fiction and horror author Richard Matheson, this romantic fantasy-drama won an Oscar for its expensive and impressive visual vistas depicting an imaginative afterlife. Robin Williams stars as Chris Nielsen, a doctor who has suffered with his artist wife Annie (Annabella Sciorra) through the devastating loss of their children, Marie and Ian, who were killed in a car accident. Although Annie’s all-consuming depression nearly destroyed their marriage, the couple rebuilt their relationship and are now living out a comfortable middle age. Stopping one night to help a motorist in a wreck, Chris is struck by a car and killed. At first confused about where he is, Chris meets Albert (Cuba Gooding Jr.), a spiritual guide who helps him to realize he’s passed away and that he must move on to the next world. After trying with only limited success to communicate with the devastated Annie, Chris moves on and discovers an afterlife that can become whatever one envisions, where even his pet dog awaits him. What Chris envisions as paradise are the paintings of his wife, and he happily takes up residence there, awaiting the far-off day when Annie will eventually join him. He also meets his children, although they have chosen different appearances than the ones they had in life. Then tragedy strikes when Annie, inconsolable, commits suicide and goes to Hell. Although it is rarely done, Chris insists on traveling there, risking his eternal soul to save the woman he loves. Accompanied part of the way by Albert and a wizened guide called The Tracker (Max von Sydow), Chris finally reaches Annie in Hell, and must convince her of the truth in order to release her from her dark prison.

In this psychological thriller, a needy young woman finds fulfillment by trying to literally become her successful roommate. Attractive Manhattanite Allison Jones (Bridget Fonda) has it all: a handsome beau, a rent-controlled apartment, and a promising career as a fashion designer. When boyfriend Sam (Steven Weber) proves unfaithful, Allison strikes out on her own but must use the classifieds to seek out a roommate in order to keep her spacious digs. In steps Hedra Carlson (Jennifer Jason Leigh), who’s timid and frumpy but puppy-dog sweet. The self-centered Allison finds Hedra’s eager friendship flattering, but soon she grows annoyed as Hedra begins emulating everything about her. After Allison gets back with Sam and asks Hedra to please vacate the premises, the pert beauty really gets to see her weird new roomie’s bad side — Hedra, it seems, is downright homicidal. Directed by Barbet Schroeder, who wowed Hollywood with Barfly and Reversal of Fortune. Single White Female was the second screenplay from future Opposite of Sex director Don Roos.

A nanny reveals ways of making children behave that are much more effective than a time-out in this fantasy comedy based on the “Nurse Matilda” books for children by Christianna Brand. Near the dawn of the twentieth century, Mr. Brown (Colin Firth) is a widower who must tend to his business as an undertaker while looking after his brood of seven children. Brown’s offspring are a singularly ill-mannered lot who have managed to drive away 17 different nannies when their father arranges for one Nanny McPhee (Emma Thompson) to help out with the children. McPhee is an strange looking woman with a large nose, protruding teeth, and pock-marked skin, but it isn’t long before the kids realize she has magical powers and isn’t afraid to use them to help keep them in line. While the children aren’t taken with McPhee’s insistence on such things as saying “please” and listening to their elders, it becomes clear everyone has bigger things to worry about. Aunt Adelaide (Angela Lansbury) has insisted that if Mr. Brown cannot find a new wife within a month, she’ll take custody of one of the children and cut off Brown’s inheritance, and while Brown and the widow Mrs. Quickly (Celia Imrie) seem fond of one another, his ineptitude in courtship seems to insure he’ll never get her to the altar. But while the Brown Children realize Nanny McPhee is a formidable opponent, she can also be a valuable ally as they learn to make use of her talents by being better children; they also discover that as they behave better, she begins to look less frightening. Emma Thompson, who played the title role in Nanny McPhee, also wrote the film’s screenplay.

A man who teaches dateless wonders how to become irresistible to women learns just how hard it can be to do it yourself in this romantic comedy. When a guy in New York City wants to make the right impression with a certain lady, Alex “Hitch” Hitchens (Will Smith) is the man he calls. Hitch has made a career out of coordinating a man’s first three dates so that they’ll show him to his best advantage (for a price, of course), and more than a few have taken women to the altar they first started courting with Hitch’s help. But Hitch discovers his own romantic limitations when he falls for Sara (Eva Mendes), a journalist who has her own ideas about romance, and might just expose Hitch’s underground business to the world. In the midst of all this, Hitch has his hands full with Albert, a sweet but socially inept man who has enlisted Hitch’s services.

Michael Lehmann directed this post-modernist hash of To Catch a Thief and The Naked Gun starring Bruce Willis as Hudson Hawk, a cat burglar who wants to go straight, but the circumstances won’t allow it. The story begins in a pre-credit sequence that takes place in the renaissance. Leonardo Da Vinci (Stefano Molinari) is rushing through his Mona Lisa painting to work on his latest invention — a machine to turn lead into bronze. But Da Vinci makes a mistake and, instead of bronze, the machine turns the lead into gold. Realizing the danger of his invention if the contraption gets into the wrong hands, he hides three parts of the apparatus inside three of his other works. Four hundred years later, Hudson Hawk, the world’s greatest cat burglar, is being released from jail after pulling a ten-year stretch. He wants to retire from the profession of cat burglary and drink some cappuccino, but two screwball billionaires — Darwin and Minerva Mayflower (Richard E. Grant and Sandra Bernhard) — won’t let him. Their nefarious plot is to steal the three Da Vinci works, restore Da Vinci’s gold-making machine, and destroy the world’s monetary system. They blackmail Hawks into working with them to steal the Da Vincis by threatening the life of Hawks’s pal Tommy Five-Tone (Danny Aiello). Along with the power-mad billionaires, Hawks has to deal with the CIA, in the person of George Kaplan (James Coburn), breathing down his neck. He also has Vatican art restorer Anna Baragli (Andie MacDowell) falling for his smirk.

Mark Renton (Ewan McGregor), a young man with few prospects and fewer ambitions, lives in economically depressed Edinburgh. Like most of his friends, Renton is a heroin addict who loves the drug’s blissful nothingness; financing his habit also provides excitement and challenges that his life otherwise lacks. Renton’s two best friends are also junkies: Sick Boy (Jonny Lee Miller), a snappy dresser obsessed with James Bond, and Spud (Ewan Bremner), a guileless nerd who suggests Pee Wee Herman’s debauched cousin. Renton and his pals also hang out with Begbie (Robert Carlyle), a borderline psychotic who loathes junkies even though he drinks like a fish. After one too many brushes with the law, Renton kicks heroin and moves to London, where he finds a job, a flat, and something close to peace of mind. However, Sick Boy, Begbie, and Spud all arrive at his doorstep on the trail of a big score, leading Renton back into drugs and crime.

Directed by Richard Loncraine, Wimbledon follows the plight of aspiring tennis-star Peter Colt (Paul Bettany), whose bad luck seems to manifest itself just about everywhere. Professionally, Peter is near the very bottom of the world tennis ranks, and personally, he can’t find love despite his best efforts to do so. In a rare turn of events, however, Peter is chosen as a wildcard to play at Wimbledon, the tennis world’s most prestigious competition. While there, he meets American tennis ing?nue Lizzie Bradbury (Kirsten Dunst), and his confidence on the court and off improves tenfold as he falls further in love with her. Driven by his newfound luck, Peter climbs to the top of the tournament players at record speed, until he actually has a fighting chance of winning the men’s singles title — the question is whether or not his good fortune will hold out long enough for him to get the trophy.

A gifted forger and confidence man attempts to stay one step ahead of the lawman determined to bring him to justice in this comedy-drama from Steven Spielberg, based on a true story. Frank W. Abagnale Jr. (Leonardo DiCaprio) is a 16-year-old high school student who finds himself emotionally cut adrift when his mother, Paula (Nathalie Baye), leaves his father, Frank Abagnale Sr. (Christopher Walken), after Frank Sr. falls into arrears with the Internal Revenue Service. One day at school, Frank Jr. attempts to pass himself off as a substitute teacher, and easily makes the subterfuge work. His small-scale success gives Frank some ideas, and he soon discovers bigger and more profitable ways of hoaxing others, passing himself off as an airline pilot, a doctor, and an attorney. Along the way, Frank learns how to become a master forger, and uses his talent and charm to pass over 2.5 million dollars in phony checks. Frank’s increasingly audacious work soon attracts the attention of Carl Hanratty (Tom Hanks), an FBI agent who is determined to put Frank behind bars. Frank seems to enjoy being pursued by Carl, and even goes so far as to call Carl on the phone to chat every once in a while. While posing as a doctor, Frank falls in love with Brenda Strong (Amy Adams), a sweet girl working as a candy striper. When Frank asks Brenda to marry him, he decides to assume a new identity to impress her father, Roger (Martin Sheen) — who happens to be the District Attorney of New Orleans, LA. Catch Me If You Can was based on the autobiography of the real Frank W. Abagnale Jr., who has a cameo in the film and today works on the side of the law as a top consultant on preventing forgery and designing secure checking systems.

A lonely man’s search for companionship soon takes him to dangerous and unexpected places in this erotically charged drama. Luis Antonio Vargas (Antonio Banderas) is a successful coffee salesman living in Cuba in the 1880s. Luis has had little luck finding love among the women of his native island, and he sends away to America for a mail-order bride. To his pleasant surprise, his fianc?e from the United States, Julia Russell (Angelina Jolie), turns out to be not only beautiful but passionate and devoted. But Luis’ happiness proves to be short-lived when he learns that Julia is not the person he imagined her to be, and detective Walter Downs (Thomas Jane) appears, trying to get to the bottom of Julia’s mysterious past and possibly deadly secrets. Original Sin is based on the novel Waltz Into Darkness by Cornell Woolrich, which Francois Truffaut previously adapted for the screen as La Sirene du Mississippi.

A hard-drinking, hard-living cop assigned the task of transporting a small-time criminal to the nearby courthouse finds that a simple, 16-block drive can be the longest ride of his life in director Richard Donner’s urban action thriller. Hung-over, has-been cop Jack Mosley (Bruce Willis) has seen better days, and all that the force expects out of him these days is to stay out of trouble while he’s on the clock. Eddie Bunker (Mos Def) is set to testify before a grand jury at 10:00 a.m., and it’s up to Mosely to make sure that Bunker makes it to the courthouse in one piece — a job that Mosely estimates will take a maximum of 15 minutes. A black van has been trailing the pair unnoticed, though, and after stopping off at a nearby liquor store to pick up some breakfast, Mosely emerges from the store just in time to save Eddie from the lethal bullet of a determined assassin. When backup arrives in the form of Detective Frank Nugent (David Morse), Mosely quickly realizes that the detective on Nugent’s team is the same cop that Bunker is set to testify against. Now faced with the tough task of dodging bullets and eluding a massive onslaught of corrupt cops, Mosely must keep Bunker alive long enough to get him before the judge and ensure that justice is served.