Bovie Movie

Leading man Matt Dillon makes his directorial debut with the crime thriller City of Ghosts. Jimmy (Dillon) is a New York con man fleeing the U.S. for Bangkok in order to avoid an insurance scam investigation. He goes to Cambodia to meet up with his former business partner, Marvin (James Caan), to collect his half of the money. Along the way, he makes friends with local man, Sok (Sereyvuth Kem), and romances Sophie (Natascha McElhone). Also starring G?rard Depardieu and Stellan Skarsg?rd.

Directed by Rawson Marshall Thurber, Dodgeball: A True Underdog Story revolves around amiable underachiever Peter LaFleur (Vince Vaughn), whose rundown gym, Average Joe’s, is populated by a less-than-average clientele including a self-styled pirate, an ultra-obscure sports aficionado, and a pining high school nerd. It soon becomes apparent that Joe’s is in financial trouble and will soon be foreclosed by attractive attorney Kate Veach (Christine Taylor) - unless Peter can cough up $50,000. Despite Average Joe’s posing little threat to Globo Gym, a fitness Goliath across the street that is owned by egomaniacal White Goodman (Ben Stiller) - Goodman senses an easy acquisition and decides to take over the facility. Peter’s ragtag group of regulars, however, are less than thrilled with the prospects, and mobilize a showdown, winner-takes-all Dodgeball tournament against Globo Gym. The film also features Missi Pyle, Rip Torn, Stephen Root, and Alan Tudyk.

Filmmaker Roman Polanski, who as a boy growing up in Poland watched while the Nazis devastated his country during World War II, directed this downbeat drama based on the true story of a privileged musician who spent five years struggling against the Nazi occupation of Warsaw. Wladyslaw Szpilman (Adrien Brody) is a gifted classical pianist born to a wealthy Jewish family in Poland. The Szpilmans have a large and comfortable flat in Warsaw which Wladyslaw shares with his mother and father (Maureen Lipman and Frank Finlay), his sisters Halina and Regina (Jessica Kate Meyer and Julia Rayner), and his brother, Henryk (Ed Stoppard). While Wladyslaw and his family are aware of the looming presence of German forces and Hitler’s designs on Poland, they’re convinced that the Nazis are a menace which will pass, and that England and France will step forward to aid Poland in the event of a real crisis. Wladyslaw’s na?vet? is shattered when a German bomb rips through a radio studio while he performs a recital for broadcast. During the early stages of the Nazi occupation, as a respected artist, he still imagines himself above the danger, using his pull to obtain employment papers for his father and landing a supposedly safe job playing piano in a restaurant. But as the German grip tightens upon Poland, Wladyslaw and his family are selected for deportation to a Nazi concentration camp. Refusing to face a certain death, Wladyslaw goes into hiding in a comfortable apartment provided by a friend. However, when his benefactor goes missing, Wladyslaw is left to fend for himself and he spends the next several years dashing from one abandoned home to another, desperate to avoid capture by German occupation troops. The Pianist was based on the memoir of the same name by the real-life Wladyslaw Szpilman; the book was first published in 1946 as Death of a City, but was banned by Polish Communist officials and went out of print until 1998, when a new edition was issued as The Pianist.

The plot of this Raymond Chandler-esque comedy crime caper from the Coen Brothers (Joel Coen and Ethan Coen) pivots around a case of mistaken identity complicated by extortion, double-crosses, deception, embezzlement, sex, pot, and gallons of White Russians (made with fresh cream, please). In 1991, unemployed ’60s refugee Jeff “The Dude” Lebowski (Jeff Bridges) grooves into his laid-back Los Angeles lifestyle. One of the laziest men in LA, he enjoys hanging with his bowling buddies, pompous security-store owner Walter Sobchak (John Goodman) and mild-mannered ex-surfer Donny (Steve Buscemi). However, the Dude’s life takes an alternate route the afternoon two goons break into his threadbare Venice, California, bungalow, rough him up, and urinate on his living room rug. Why? Because Jackie Treehorn (Ben Gazzara) is owed money by the wife of a certain Jeff Lebowski. However, the goons grabbed the wrong Jeff Lebowski. With the right info, they would have invaded the home of philanthropic Pasadena millionaire Jeffrey Lebowski (David Huddleston). The Dude looks up his wealthy namesake, manages to get a replacement for his rug, and meets the millionaire’s sexy young wife Bunny (Tara Reid). Later, Jeffrey (”The Big”) Lebowski calls in the Dude to deliver a $1 million ransom for the return of his kidnapped wife. Fine — except that Walter intrudes and botches the ransom drop. As events unravel, the Dude gets caught up in the schemes of Lebowski’s daughter, erotic artist Maude (Julianne Moore), encounters both cops and bad guys, and drifts through an elaborate bowling fantasy sequence titled Gutterballs. The soundtrack includes Bob Dylan, Yma Sumac, Moondog, Captain Beefheart, and the Sons of the Pioneers.

The DVD of Goodfellas has got to be one of the very first DVDs ever released by Warner Brothers because they make a critical error in the release. While many films offer widescreen on one side and full screen on the other, this film offers only one version — a widescreen film broken into two sides. Viewers have to flip the DVD over to watch the second half of the film; 19 chapters are on side A and the last 15 chapters are on side B. Goodfellas is a classic film, and the DVD offers a great video transfer and excellent Dolby Digital 5:1 Surround, but no DVD fan will accept the two-sided format. In terms of extras, there are very few, limited only to theatrical trailers, production notes, and cast bios. For many, this Martin Scorsese classic is a must-have for any collection, but those who can wait for a future, corrected release of this film are better off watching the widescreen VHS tape. Language option in English and French and subtitles in English, French, and Spanish.

For fans who thought the stakes couldn’t be raised any higher and the bar couldn’t be lowered any further, the original cast and crew of the stunt comedy sensation that swept the globe return for another round of jaw-dropping feats that are guaranteed to have viewers wincing through their laughter. Jeff Tremaine directs, and Johnny Knoxville, Bam Margera, Chris Pontius, Steve-O, Ryan Dunn, and Jason “Wee Man” Acuna return to the screen to endure more pain and humiliation than ever thought possible on the big screen.

Yet another TV series is revived for the big screen, as Will Smith and Kevin Kline join forces as James T. West and Artemus Gordon, the most sophisticated government agents of the 1860’s, in the film adaptation of The Wild Wild West. West and Gordon represent two opposite ends of the personality scale: West is a smooth-talking charmer and man of action who prefers to shoot first and ask questions much, much later; while Gordon is intensely methodical and cerebral, with a genius for gadgets and mechanical innovations. They’re brought together by no less an authority than the President of the United States to track down an evil genius named Dr. Arliss Loveless (Kenneth Branagh). Loveless was once an honored military leader and inventor until one of his schemes went awry and left him paralyzed from the waist down. Driven mad by the experience, Loveless is determined to get revenge on the United States by assassinating the President, using a 60-foot tall mechanical spider. Assisting Loveless is a team of beautiful female criminals, Miss East (Bai Ling), Amazonia (Frederique Van Der Wal), Munitia (Musetta Vander) and Miss Lippenreider (Sofia Eng). As the initially suspicious West and Gordon learn to work together, they also find themselves helped by an attractive woman, Rita Escobar (Salma Hayek), who has her own bone to pick with Loveless. Wild Wild West reunites star Will Smith with director Barry Sonnenfeld, who previously worked together on the hit Men In Black (1997). Wild Wild West features a hip-hop theme song from one-time Fresh Prince Smith, along with a more traditional Western score from composer Elmer Bernstein.

The Creeper is back, and he’s brought his appetite with him in director Victor Salva’s sequel to his popular 2001 sleeper. Stranded on the dreaded East 9 Highway while returning home from winning the championship game, a group of basketball players, cheerleaders, and coaches quickly realize that there’s more to fear than a broken down bus when The Creeper descends mercilessly upon them. As his 23-day feeding frenzy draws to a close, The Creeper needs the sort of nourishment only a vital group of young athletes can provide, and to survive the night, the terrified teens will have to fight to their dying breaths.

One of the only survivors of a man-made plague joins forces with a team of private warriors in a bid to save what’s left of the Earth in this sequel to Resident Evil, the big-screen adaptation of the popular video game. Picking up where the first film left off, Resident Evil: Apocalypse finds Alice (Milla Jovovich) still battling the living dead who are overtaking Raccoon City, inoculated with an anti-virus by the nefarious and all-powerful Umbrella Corporation (in addition to the virus itself). Alice encounters Jill Valentine (Sienna Guillory), a former member of Umbrella’s internal defense team. Forming an alliance with mercenary-for-hire Carlos Olivera (Oded Fehr) and his cohorts, this tiny band of survivors seeks out Dr. Charles Ashford (Jared Harris), Umbrella’s top scientist and one of the only men with the know-how to find a solution to the zombie menace; however, they discover that Ashford’s cooperation comes with a price — the scientist’s daughter Angie (Sophie Vavasseur) is missing, and he’ll help Alice and her partners only if Angie is returned to him safe and sound. Resident Evil: Apocalypse was the first solo directorial credit for Alexander Witt, who previously distinguished himself as a cinematographer and second-unit director.

When brothers and fellow FBI agents Marcus (Marlon Wayans) and Kevin Copeland (Shawn Wayans) accidentally ruin an otherwise painstakingly executed drug bust, getting back into the good graces of their boss becomes a high-priority assignment in itself. With this in mind, Marcus and Kevin take on a case far beneath their usual standards when they agree to escort socialite sisters Brittany (Maitland Ward) and Tiffany Wilton (Anne Dudek) from a private terminal at JFK Airport to their hotel room in the Hamptons. Once there, two considerably higher-ranking agents will take over the girls’ protection. The extra security is no mere perk of wealth, however, as it appears that Brittany and Tiffany have been targeted by a serial kidnapper. The FBI hopes to apprehend the perpetrator by using the girls as bait, unbeknownst to them. The plan may have worked if it weren’t for Kevin and Marcus, who manage to let the sisters in on the secret. Understandably, neither of them want any part in the process, so they force the brothers to come up with a radical solution: With the help of an FBI lab scientist, the very much African-American Kevin and Marcus will be transformed into two white women who could pass for Brittany and Tiffany. The agents must keep the charade up long enough to lure the kidnapper, but fooling everyone involved will be the job of their lives. Directed by Keenen Ivory Wayans, White Chicks also features James King and Lochlyn Munro.