Bovie Movie

After a rather decided departure with his 1999 homage to Gilbert and Sullivan, Topsy-Turvy, Mike Leigh returns to his usual form for All or Nothing, a melancholy look at the day-to-day lives of a dysfunctional lower-middle class British family called the Bassetts. Timothy Spall and Lesley Manville (familiar to fans of Leigh’s previous films) star as Phil and Penny, a common-law husband and wife who toil their gloomy days away as a cab-driver and grocery-store cashier, respectively. When the couple come to realize the growing emptiness in their relationship, an unexpected emergency within their family brings them closer together and offers the possibility of reigniting the long-extinguished spark in their marriage. Hoping to repeat the Palm D’or win of Leigh’s 1996 film Secrets and Lies, All or Nothing was screened in competition at the 2002 Cannes Film Festival.

A structural engineer (Anthony Hopkins) and an ambitious young district attorney (Ryan Gosling) become locked in a deadly battle of wits when the former is found innocent in the attempted murder of his wife in director Gregory Hoblit’s tense tale of courtroom mind games. Ted Crawford (Hopkins) is an engineer who lives with his wife Jennifer (Embeth Davidtz) in the couple’s lavish Southern California home. One day, after carefully planning out the details to ensure that there is no way he can be convicted of murder, Ted shoots his wife in a blatant attempt to murder the woman. When head hostage negotiator Rob Nunnaly (Billy Burke) arrives on the scene to speak with Ted, he is shocked to find that the victim of the shooting is in fact his longtime lover. Though Jennifer survives the trauma of being shot in the head at close range, she hovers comatose between life and death as star prosecutor Willy Beachum (Gosling) reluctantly accepts the case while preparing to leave the Los Angeles criminal court system behind for a more promising career at a posh private law firm. Though the D.A. (David Strathairn) vehemently resents Beachum’s lofty plan for departure, the hotshot young lawyer remains convinced that he can expedite the apparently open-and-shut case and be on his way to greener pastures in one week’s time at the very most. Beachum’s swelling ego betrays him, however, as his future boss Nikki Gardner (Rosamund Pike) begins to turn up the heat and fracture mechanics specialist Ted chooses to represent himself at the trial knowing well that a career spent spotting structural flaws in aeronautical systems has instilled him with just the kind of argumentative skills needed to riddle the swaggering young lawyer’s “foolproof” case with doubt.

Ralph Fiennes plays a grown man haunted by his childhood in David Cronenberg’s stylized psychological drama Spider. Upon his release from a mental institution, Spider (Fiennes) takes up residence in a halfway house. Paranoid, quiet, and forever making notes, Spider spends much of the film remembering scenes from his youth, specifically a horrific event from his childhood that occurred after he came to believe that his father (Gabriel Byrne) was having an affair on his mother (Miranda Richardson). The psychological terror builds to a climax that challenges how much the viewer can believe Spider’s recollections of the event. Bradley Hall plays Spider as a boy, and Richardson portrays many different women who come into contact with Spider. Spider was screened in competition at the 2002 Cannes Film Festival.