Bovie Movie

After incorporating elements of comic book style and design into many of his films, director Sam Raimi helms this straight-ahead, big-budget comic book adaptation, which also marks acclaimed young actor Tobey Maguire’s first dip into live-action blockbuster filmmaking. Spider-Man follows the template of the original Stan Lee/Steve Ditko source material, with hero Peter Parker an orphaned, intellectual teen loner living in Queens with his aunt (Rosemary Harris) and uncle (Cliff Robertson), and dreaming of the girl next door, Mary Jane (Kirsten Dunst). On a field trip to a Columbia University lab, Peter is bitten by a genetically altered spider and overnight he gains superhuman strength, agility, and perception. At first, Peter uses his powers for material gain, winning a wrestling match with a purportedly lucrative prize. But when Peter apathetically fails to stop a burglar from robbing the wrestling arena, a tragedy follows that compels him to devote his powers to fighting crime — as the superhero Spider-Man. When he’s not busy fighting crime in a spider suit, Peter moves into an apartment with his best friend, Harry (James Franco), and begins work as a photographer at the Daily Bugle. Meanwhile, his do-gooder alter ego finds a nemesis in the form of the Green Goblin (Willem Dafoe), a super-powered, megalomaniacal villain who happens to be the alter ego of Harry’s father, weapons-manufacturing mogul Norman Osborn. Spider-Man was written by the prolific blockbuster scribe David Koepp (Jurassic Park, Panic Room).

Legendary Hong Kong action director and choreographer Corey Yuen brings Tecmo’s best-selling video-game franchise to the big screen in a martial arts extravaganza featuring an impressive quartet of female fighters including Devon Aoki, Sarah Carter, Jaime Pressly, and Holly Valance. Tina (Pressly), Christie (Valance), Kasumi (Aoki), and Helena (Carter) are four skilled martial artists whose outwardly sexy appearances betray their true, lethal natures. When the fearsome females each receive an invitation to take part in an illegal martial arts competition to be staged on a remote Asian island, the prospect of a ten-million-dollar top prize is only sweetened by the fact that they will be facing off against some of the toughest fighters on the planet. Now, in order to defend their honor and search for the answers to life’s greatest mysteries, Tina, Christie, Kasumi, and Helena will check their inhibitions at the beach and prepare for a series of fights that will test not only their strength, stamina, and endurance, but the very foundation of their dedication to the martial arts as well.

As with his previous films, comedian Adam Sandler and writing partner Tim Herlihy have conceived a simple premise, character, and title, and peppered their creation with visual sight gags. The story concerns Bobby Boucher, a Louisiana-born-and-bred kid living in the swamps with his overbearing, alligator-eating mom (Kathy Bates). Bobby is a water boy for the local college football team, and a damn good one, even good at turning a deaf ear at the ridicule he gets from the players and coach (Jerry Reed). But when Bobby is fired from his job, he is forced to continue his water management skills at the rival college, a losing team with a washed-up coach (Happy Days’ “The Fonz,” Henry Winkler). It’s here that the coach teaches Bobby to channel his anger, and he makes a surprising discovery. The water boy can tackle like no one he’s ever seen. Forced to keep his football talents from his mom, Bobby soon joins the college as a student and learns that there’s more to life than alligator stew. He even falls for a perky ex-con (Fairuza Balk) who teaches Bobby about the birds and the bees. As Bobby leads his team toward victory, they get an invitation to play in the annual Bourbon bowl against his old college rivals. Bobby must choose between the love of his ailing mother and the glory of the final game — or maybe there’s a way he can get both.

Comedian Andy Kaufman gave performances that were bizarre and difficult to categorize, in which he might do or say almost anything: show cartoons, impersonate Elvis Presley, play conga drums while singing children’s songs, read aloud from The Great Gatsby, or take the audience out for milk and cookies. Written by Scott Alexander and Larry Karaszewski and directed by Milos Forman (the team behind The People vs. Larry Flynt (1996)), this biopic takes an in-depth look at Kaufman’s life and art, with Jim Carrey as Kaufman, who could (and would) be any number of different people onstage: the quiet and childlike man, the little foreign guy, the overbearing showbiz “professional,” the violently obnoxious wrestler, or the world’s worst lounge singer. As Kaufman rose from comedy clubs to guest appearances on Saturday Night Live and a spot on the TV sitcom Taxi, his performances became more complex and dangerous — so much so that when word got out in 1984 that he was suffering from lung cancer, many fans and associates thought it was just another bizarre stunt; the disease took his life later that year. Man on the Moon features Danny De Vito as Kaufman’s manager George Shapiro, Courtney Love as his girlfriend Lynne Margulies, Paul Giamatti as his friend Bob Zmuda, and David Letterman, Judd Hirsch, Marilu Henner, Carol Kane, and Christopher Lloyd as themselves.