Bovie Movie

Noted theater director Sam Mendes, who was responsible for the acclaimed 1998 revival of Cabaret and Nicole Kidman’s turn in The Blue Room, made his motion picture debut with this film about the dark side of an American family, and about the nature and price of beauty in a culture obsessed with outward appearances. Kevin Spacey plays Lester Burnham, a man in his mid-40s going through an intense midlife crisis; he’s grown cynical and is convinced that he has no reason to go on. Lester’s relationship with his wife Carolyn (Annette Bening) is not a warm one; while on the surface Carolyn strives to present the image that she’s in full control of her life, inside she feels empty and desperate. Their teenage daughter Jane (Thora Birch) is constantly depressed, lacking in self-esteem, and convinced that she’s unattractive. Her problems aren’t helped by her best friend Angela (Mena Suvari), an aspiring model who is quite beautiful and believes that that alone makes her a worthwhile person. Jane isn’t the only one who has noticed that Angela is attractive: Lester has fallen into uncontrollable lust for her, and she becomes part of his drastic plan to change his body and change his life. Meanwhile, next door, Colonel Fitts (Chris Cooper) has spent a lifetime in the Marine Corps and can understand and tolerate no other way of life, which makes life difficult for his son Ricky (Wes Bentley), an aspiring filmmaker and part-time drug dealer who is obsessed with beauty, wherever and whatever it may be. American Beauty was also the screen debut for screenwriter Alan Ball.

The Jewel of the Nile takes up where Romancing the Stone left off, with romance novelist Joan Wilder (Kathleen Turner) traveling around the world with her boyfriend, Jack Colton (Michael Douglas). But Joan is becoming bored with Jack and all the romantic attention; as she asks, “How much romance can one woman take?” Invited by Omar (Spiros Focas), a wealthy Arabian potentate, to travel with him to his homeland, Joan readily accepts. Jack decides to pass on the trip, preferring instead to sail through the Mediterranean. It turns out that Omar wants to usurp the role of an Arab holy man known as “The Jewel of the Nile” (Avner Eisenberg), and Joan finds herself thrown in prison with the hapless spiritual leader. Jack comes to the rescue, teaming up with the slapstick bad guy from Romancing the Stone, Ralph (Danny DeVito). Together, the foursome have to cross North Africa in order to escape Omar’s minions.

From writer/director David Koepp (Stir of Echoes) comes this filmed adaptation of Stephen King’s novella Secret Window, Secret Garden, one of four stories in the collection Four Past Midnight. Johnny Depp stars as Mort Rainey, a recently divorced author who decides to take some time off at his cottage. Unfortunately for Rainey, John Shooter (John Turturro), an unbalanced wannabe writer, tracks him down, claiming that Rainey plagiarized his work. Also starring Maria Bello, Charles S. Dutton, and Timothy Hutton, Secret Window is the second story from Four Past Midnight to be adapted as a film, the first being 1995’s made-for-television The Langoliers.

A remake of the Spanish film Open Your Eyes (1997), this thriller from director Cameron Crowe bears one of several discarded titles for his previous, Oscar-winning film Almost Famous (2000). Tom Cruise stars as David Ames, a womanizing playboy who finds romantic redemption when he falls in love with his best friend’s girlfriend Sofia (Penelope Cruz, reprising her role from the original film). Before that relationship can begin, however, David is coaxed into a car driven by an ex-lover, Julie (Cameron Diaz), who turns out to be suicidal. Driving her car off a bridge, Julie kills herself and horribly disfigures David. Reconstructive surgery and the loving support of Sofia seem to reverse David’s luck, but eerie incidents are soon making him question the reality of his existence and his control over his life, even while he is suspected of complicity in Julie’s death. Vanilla Sky (2001) bears the expected Crowe trademark of an obsession with recent pop culture and particularly rock music, a more important element of the remake than the original film. That project’s writer/director, Alejandro Amenabar, crafted his own supernatural hit the same year with The Others (2001), starring Nicole Kidman, the soon-to-be-ex-wife of Cruise.

In this parody of James Bond movies, a dullard of a spy novelist finds himself the subject of an English sociology student’s term papers. She travels to his Paris apartment to do her research and their relationship is interspliced with episodes from the writer’s newest book that features his popular hero Bob St. Clair, master spy and anithesis to the writer, and his lovely assistant Tatiana, (who is of course, the lookalike of the lovely student). The spy’s nemesis is in reality, his pushy publisher.

Somewhere in L.A., Peter (Kenneth Branagh), a washed-up British playwright, struggles to duplicate his past glory as he surfs a foul-smelling tide of disenchantment. His wife, Melanie (Robin Wright Penn), manages to maintain an optimistic outlook even as she longs for the baby that her husband is hesitant to help her conceive. When Peter befriends Amy (Suzi Hofrichter), a neighborhood girl who has mild cerebral palsy, their friendship softens him to the idea of fatherhood and propels Melanie’s maternal yearnings into hyperdrive. As if baby fever weren’t enough, Peter is plagued by a seemingly benevolent stalker (Jared Harris), his neighbors’ incessantly noisy dog, and the flighty cast and crew of his latest play.

Just how far would you go to have the home of your dreams all to yourself? A couple start asking themselves that very question in this dark comedy directed by Danny DeVito. Alex (Ben Stiller) and Nancy (Drew Barrymore) are a young couple who are happy and successful, but lack one thing that they truly want — the perfect home in Manhattan. Alex and Nancy think they may have found just the place they’ve been looking for when they discover the bottom half of a beautiful old duplex has opened up. While the couple are delighted with their new flat, they discover it has one major disadvantage they hadn’t counted on — their upstairs neighbor, Mrs. Connelly (Eileen Essel), an elderly woman who soon makes their lives a living hell. Persuading Mrs. Connelly to move is fruitless, since she has a long term rent-controlled lease, and as things become more and more difficult, Alex and Nancy begin to wonder if she won’t go away on her own, perhaps a more drastic (and permanent) solution may be in order. Duplex also stars Harvey Fierstein, Justin Theroux, James Remar, and Swoosie Kurtz.

Douglas McGrath’s Infamous represents the second major biopic about the avant-garde belletrist Truman Capote to be released within a year. It thus tells roughly the same story as Bennett Miller’s earlier Capote, recounting the events that belied the writer’s six-year authorship of the seminal “nonfiction novel” In Cold Blood. The story opens with Capote (Toby Jones) visiting the site of the 1959 Clutter family homicide, on a Kansas research trip, accompanied by his close friend and colleague, author Harper Lee (Sandra Bullock). As Capote settles into the community, McGrath uses the preponderance of screen time to explore the emotional tapestry of Capote’s increasingly risky emotional attachment to one of the two murderers, Perry Edward Smith (Daniel Craig), with whom he senses more than a few common bonds. McGrath weaves a decidedly bittersweet tale, contrasting the optimism and devil-may-care, “conquer all” attitude of Capote in his early years with a seemingly endless string of poor choices in the writer’s later years, from addictions to drink and pills, to a failure to maintain healthy output as a writer, to poorly chosen romantic and sexual entanglements. Most significantly, however, McGrath reveals how the relationship with Smith virtually destroyed Capote as an artist and a human being, by inducing him to sell out on all levels to satisfy his lust for accomplishment and notoriety.

Five years after achieving commercial and critical success with his film Three Kings, director and screenwriter David O. Russell returns to the more idiosyncratic territory of his earlier work with this intelligent and offbeat comedy. Bernard and Vivian Jaffe (Dustin Hoffman and Lily Tomlin) are a married couple who run an existential detective agency where they sift through the lives of their clients in order to discover the source of their angst. The Jaffes’ latest client is Albert Markovski (Jason Schwartzman), an environmental activist who has a very large rock and a great deal on his mind; their study of Albert’s problems lead Bernard and Vivian to Brad Stand (Jude Law), a public relations executive with a chain of successful variety stores, Huckabees. While publicly allying himself with Albert’s environmental initiatives, behind the scenes Brad is running roughshod over responsible land management with little care for the consequences. When Brad learns he’s being watched by the Jaffes, he hopes to co-opt them by hiring them himself; however, the plan has unexpected consequences when their questioning leads Brad’s girlfriend, well-scrubbed model Dawn (Naomi Watts), into reassessing her life and relationships. Meanwhile, Albert finds himself joining forces with Tommy (Mark Wahlberg), a firefighter and fellow environmentalist who has been having second thoughts about Bernard and Vivian’s ideas and methods after a long-term investigation and has since fallen under the spell of nihilist poet and philosopher Caterine Vauban (Isabelle Huppert).

For some folks, the 1960s never really ended, and one woman still cheerfully stuck in the Summer of Love discovers her one-time best friend has left that decade as far behind as humanly possible in this comedy. In the late ’60s and early ’70s, Suzette (Goldie Hawn) and Vinnie (Susan Sarandon) were two of Southern California’s most celebrated groupies. Affectionately nicknamed “The Banger Sisters” by Frank Zappa, best friends Suzette and Vinnie partied hearty with practically every rock star of the era who mattered, and kept a collection of Polaroid snapshots documenting their randy exploits. In 2001, Suzette is still her free-spirited self, and after losing her job as a barmaid at an L.A. rock club, she decides to look up Vinnie, whom she hasn’t seen for 20 years. Suzette hits the road for Phoenix, AZ, to pay Vinnie a surprise visit, and en route picks up Harry (Geoffrey Rush), a novelist with writer’s block who can’t drive and hasn’t had sex for a decade. Upon her arrival, Suzette discovers Vinnie isn’t quite the same person who used to chase any man with long hair and an electric guitar. Now going by her given name of Lavinia, she’s a straight laced social worker with a lawyer for a husband, Raymond (Robin Thomas), and two teenage daughters, Hannah (Erika Christensen) and Ginger (Eva Amurri), none of whom know a thing about her wild and crazy past, and have a pretty hard time imagining Lavinia even attending a rock concert. Eva Amurri comes by her role as Susan Sarandon’s daughter naturally enough — Amurri is Sarandon’s daughter in real life.